This programme explores how media and film shape identities, values, and perspectives. Blending theory with hands-on skills, we help you develop as a critical thinker and creative filmmaker. Stand out from other graduates with your more diverse skill set - from film production techniques to a broad understanding of the media and creative industries. This degree prepares you to make an impact in the fast-paced creative industries and beyond.

Why Lancaster?

Deepen your understanding of global film history and media's role in the world, while gaining hands-on film-making and digital media experience

Enjoy 24/7 access to our editing suites and specialist equipment, including cinema-ready digital cameras and the latest digital media tools

Tailor your work to mix written research with film and media practice, developing essential skills in critical analysis, creative thinking, and problem-solving

Build a creative portfolio by participating in our student film and media societies, including a television station, newspaper, radio station, and cinema

Take advantage of Lancaster’s inspiring surroundings—cityscape, rural backdrop, and coastal charm—as an ideal setting for creative projects

Film and media from new perspectives

Combining the exciting practice of hands-on film-making with the study of media and culture, this diverse course offers the study of film from a new perspective.

You will have the opportunity to examine media history and how it has shaped all we consume today, from politics and power to subcultures and marginal cultures, the role of gender, race, disability and body image in the media, and media and social (in)justice. You will develop a strong understanding of the media’s social, economic, and political power in everyday life, as well as the historical and contemporary issues we see in the media and how these issues are portrayed through film.

Through practical workshops, you’ll develop skills in film and media production, gaining experience in areas such as film-making, editing, digital content creation, storytelling and scriptwriting, film technique and genre, and film theory.

Past students have completed projects such as:

Flavours of Home: The Story of TwoThai – A group documentary project exploring the themes of belonging, post-graduation, and entrepreneurship

Exploring International Life – A documentary about cultural diversity in Lancaster, following the life of two international mums, aiming to shine a light on the story of integration

First-class resources

Our top-of-the-line production facilities will support you in putting your ideas into action. Make use of our cinema-ready digital cameras with prime lenses, DSLR cameras, versatile set lighting, grip equipment and full access to Adobe Creative Cloud in our acoustic editing suites. Our specialist production facilities and purpose-built workshops offer everything you need to master the essentials of digital video and audio production, ensuring you can bring your ideas to life and build a portfolio that showcases your versatility.

Whenever you need support, you can turn to our skilled technicians who are on hand to support your studies.

Developing your voice and vision

At Lancaster, we will empower you to develop a unique voice. Our teachers are industry professionals and filmmakers, as well as leading experts who influence real-world conversations on topics such as gender and sexualities, race, artificial intelligence, and media ethics. You’ll be encouraged to follow in their footsteps, developing effective communication skills to enact positive social change in the world around you.

Get involved with student media societies such as our television station, newspaper, and radio to further hone your creative skills, as well as our student run cinema Take2 where you can show your films and bring your vision to life. You’ll also showcase your work at our annual Degree Show.

Strong industry connections

Studying at Lancaster will open doors to many opportunities that will support you in your future career. You’ll benefit from our strong industry connections with organisations such as The British Film Institute, The Bay International Film Festival and La1 Shorts Festival, as well as industry professionals such as working journalists and media activists.

These connections will give you access to masterclasses, community-based film productions, and trips to media hubs, enhancing your professional experience and networking opportunities. By blending theoretical knowledge with real-world application and connections, our programme ensures you’re well-equipped for impactful roles in your career.

Your department

School of Arts

Faculty of Humanities, Arts and Social Sciences

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Film Studies at Lancaster University

Cutting-edge production facilities, a strong theoretical grounding, and a global perspective on film. Hear what Film Studies at Lancaster University could offer to you.

Media and Cultural Studies at Lancaster University

Discover what our students like best about Media and Cultural Studies at Lancaster University – from the wide choice of modules, to the expertise of teaching staff and opportunities to gain practical skills and experience.

Students at work

You’ll be developing your practical skills in our film production modules by experimenting with narrative films or documentaries. We provide top-of-the-line production equipment so you can create your own original content.

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Practical experience

You will have the opportunity to produce short films in all three years of your study.

Interesting surroundings

Make use of Lancaster’s stunning surroundings for the perfect film setting – cityscape, rural backdrop or coastal charm.

Film production

Gain practical film-making skills and an understanding of film production.

Production equipment

We provide top-of-the-line production equipment so you can create your own original content. Enjoy 24/7 access to our editing suites and specialist equipment, including cinema-ready digital cameras.

Showcase your films

Every year our final year students showcase their films in a major degree show exhibition, that is open to the public.

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Download the course booklet to find out more about Lancaster University, how we teach Film Studies, and what you'll study as a Film Studies student.

Film Studies subject guide

Download the course booklet to find out more about Lancaster University, how we teach Media and Cultural Studies, and what you'll study as a Media and Cultural Studies student.

Media and Cultural Studies subject guide

Creative Arts Facilities at Lancaster University

Whatever creative arts subject you choose, you’ll find we have specialist spaces and equipment to inspire your studies.

Annual Degree Show

Every year our final year students showcase their designs in a major degree show exhibition, which is open to the public.

Your Placement Year

Sometimes known as a year in industry, your placement year will take place between your second and final year of study and this will extend your degree to four years.

Placements and Internships

Hear from students and employers on how Lancaster University could support you to gain real-world experience and bolster your CV with a placement or internship as part of your degree.

A placement year is an excellent way to...

try out a role that you may be interested in as a career path

start to build your professional network (some placement students are offered permanent roles to return to after they graduate)

develop skills, knowledge and experience to put you ahead of the field when you graduate

You'll spend your third year...

in a graduate-level position, where you’ll work for between nine and twelve months in the type of role that you might be considering for after you graduate. A very wide range of companies and organisations offer placements across all sectors.

As a full-time employee, you’ll have a job description with specific responsibilities and opportunities to access training and development, the same as other employees.

Our Careers and Placements Team...

will help you to search and compete for a suitable placement with expert advice and resources, such as creating an effective CV, and tips for applications and interviews.

You will still be a Lancaster University student during your placement and we’ll keep in touch to check how you are getting on.

The university will...

use all reasonable effort to support you to find a suitable placement for your studies. While a placement role may not be available in a field or organisation that is directly related to your academic studies or career aspirations, all offer valuable experience of working at a graduate level and gaining a range of professional skills.

If you are unsuccessful in securing a suitable placement for your third year, you will be able to transfer to the equivalent non-placement degree scheme and continue with your studies at Lancaster, finishing your degree after your third year.

By the end of your degree, you’ll be equipped with transferable skills that are valued by a wide variety of employers. You'll possess an impressive combination of critical thinking skills, advanced cultural awareness and practical skills in film-making and digital media.

Your skills in analytical thinking, research and writing, and creative production, will help you pursue an exciting career. Some of our graduates have gone on to production roles at independent film companies or at the BBC and ITV. Others have decided to follow a related profession such as marketing.

Our graduates find rewarding careers in roles such as:

Film and media producer

Advertising executive

Marketing executive

Broadcast and print journalist

Digital/strategic communication specialist

Media researcher

Script supervisor

Publisher

Content producer

Arts manager

Some of our graduates have been accepted into the London Film School, the Met Film School, the National Film and Television School, as well as the New York Film Academy for further vocational training.

Our programme also acts as a good springboard for those wanting to continue their studies at postgraduate level and provides a route into our MA in Global Media & Society.

Careers and employability support

Our degrees open up an extremely wide array of career pathways in businesses and organisations, large and small, in the UK and overseas.

We run a paid internship scheme specifically for our arts, humanities and social sciences students, supported by a specialist Employability Team. The team offer individual consultations and tailored application guidance, as well as careers events, development opportunities, and resources.

Whether you have a clear idea of your potential career path or need some help considering the options, our friendly team is on hand.

Lancaster is unique in that every student is eligible to participate in The Lancaster Award which recognises activities such as work experience, community engagement or volunteering and social development. A valuable addition to your CV!

Find out more about Lancaster’s careers events, extensive resources and personal support for Careers and Employability.

Find out about some of the careers our alumni have entered into after graduation.

Entry requirements

These are the typical grades that you will need to study this course. This section will tell you whether you need qualifications in specific subjects, what our English language requirements are, and if there are any extra requirements such as attending an interview or submitting a portfolio.

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A levels

ABB. Film, Media or one other humanities subject would be considered desirable but not essential.

Access to HE Diploma

30 Level 3 credits at Distinction plus 15 Level 3 credits at Merit. Film, Media or one other humanities subject would be considered desirable but not essential.

Advanced Skills Baccalaureate Wales

We accept the Advanced Skills Baccalaureate Wales in place of one A level, or equivalent qualification, as long as any subject requirements are met.

BTEC Extended Diploma

DDM. Ideally this would be in a subject relevant to Film or Media, although this is not essential.

BTEC in combination with A levels

A level at grade B plus BTEC(s) at DD, or A levels at grade BB plus BTEC at D. Film, Media or one other humanities subject would be considered desirable but not essential.

International Baccalaureate

32 points overall with 16 points from the best 3 HL subjects

Scottish Highers and Advanced Highers

We are happy to admit applicants on the basis of five Highers, but where we require a specific subject at A level, we will typically require an Advanced Higher in that subject. If you do not meet the grade requirement through Highers alone, we will consider a combination of Highers and Advanced Highers in separate subjects. Please contact the Admissions team for more information.

T levels

Distinction overall

GCSE requirements

English Language grade 4/C.

We will also look at your overall GCSE profile when considering your application as a whole.

We do have flexibility when considering GCSE requirements. Go to our GCSE information for more details.

English language requirements

If English is not your first language, we require an IELTS score of 6.5 overall with at least 5.5 in each component for this programme. English language qualifications for undergraduate study.

Help from our Admissions team

If you are thinking of applying to Lancaster and you would like to ask us a question, complete our enquiry form and one of the team will get back to you.

We also have more details on our website about:

Other qualifications we accept

International qualifications

How to apply and what happens afterwards

International foundation programmes

Delivered in partnership with Lancaster University International Study Centre, our one-year tailored foundation pathways are designed to improve your subject knowledge and English language skills to the level required by a range of Lancaster University degrees. Visit the Lancaster University International Study Centre for more details and a list of eligible degrees you can progress onto.

Contextual admissions

Contextual admissions could help you gain a place at university if you have faced additional challenges during your education which might have impacted your results. Visit our contextual admissions page to find out about how this works and whether you could be eligible.

Course structure

We continually review and enhance our curriculum to ensure we are delivering the best possible learning experience, and to make sure that the subject knowledge and transferable skills you develop will prepare you for your future. The University will make every reasonable effort to offer programmes and modules as advertised. In some cases, changes may be necessary and may result in new modules or some modules and combinations being unavailable, for example as a result of student feedback, timetabling, Professional Statutory and Regulatory Bodies' (PSRB) requirements, staff changes and new research. Where the course offers optional modules, they may not all be available every year.

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Introduction to Film Studies

This module introduces key approaches to film theory, analysis and history while integrating practical filmmaking experience. You will examine cinematography, editing, sound and performance through close analysis of case study films from Hollywood and global traditions. As the module progresses, you will explore major developments in global film history, considering cinema’s role in shaping cultural and political contexts.

Alongside theoretical study, you will take part in practical workshops covering camera operation, sound recording and post-production techniques. These sessions will equip you with the skills needed to collaborate on a group filmmaking project, where you will create a short film that reimagines a scene from a film screened on the module. This practical work will reinforce your understanding of film form and storytelling techniques.

By the end of the module, you will have a strong foundation in film theory, history and practice, preparing you for further academic exploration.

Understanding Media and Culture

What does it mean to study media today? In this module, you’ll be introduced to major debates, theories and thinkers in studying media and culture.

You will encounter a diverse range of material from different media, including: television, film, news, advertisements, social media, video games and more.

You will explore the intersections between our cultural environment and our identities, aspirations, beliefs and value systems, to develop essential skills in critical thinking and analysis.

British Cinema

Britain is one of the most successful and influential film industries in world cinema. In this module you will explore the key films, filmmakers and traditions that have shaped British cinema over the past century. Through a study of major genres, styles, filmmakers and themes, you will consider how British cinema has evolved and reflect on historical cinema-going habits.

Alongside this historical overview, you will engage with critical debates. You’ll examine the relationship between national identity and cinema, the role of realism and recurring preoccupations with emotional repression, race, gender and social class. You will also explore how British cinema captures and shapes ideas of ‘’Britishness’’.

Each week, screenings of case-study films by influential British directors will be paired with key readings, providing a foundation for discussion. By the end of the module, you will have developed a critical understanding of British cinema’s distinctive characteristics and its role within film history and culture.

Optional

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Transformations in Digital Media

Digital media both displaces and complements ‘traditional’ media, in ways that complicate the current media landscape and challenge some of our most fundamental media concepts.?This module explores how this happens through the integration of “old” and “new” media and ongoing transformations in the media industries.

We examine how relations between consumers and producers are changing as the boundaries of media cultures are shifting, producing intercultural exchange but also fragmentation and radicalisation.?This module invites students to investigate their everyday digital media use and reflect on the expansion of digital media, its potentials and its pitfalls.

The Reflective Design Process

Design is a dynamic and creative problem-solving process with distinct stages. In this module you’ll immerse yourself in this process and engage with it in a hands-on way.

You will develop essential creative and analytical skills and build your confidence in:

Conducting research

Generating insights

Exploring possibilities

Prototyping

Refining ideas into innovative solutions

Observation and documentation are key to good design, so you will learn methods such as:

User shadowing

Fly-on-the-wall observation

Journey mapping to uncover behaviours, needs and opportunities

This module encourages experimentation, iteration and critical thinking, fostering adaptability and resilience—key attributes for designers in today’s fast-evolving creative industries.

Through a design project that encourages reflective practice, you will gain the ability to navigate complex design challenges and communicate your ideas effectively. By understanding design as a dynamic and creative problem-solving process, you will build a strong foundation to guide your creative practice throughout your undergraduate studies.

Media, Power and Identity

In this module you'll explore the dynamic relationship between media, society, and culture, examining how media influences and reflects cultural norms, identities, and power structures.

You’ll consider the material, social and institutional contexts in which media forms have been produced, and think about the role of the media in creating communities, and both reproducing and tackling social inequalities.

This module provides you with the skills to navigate complex debates about media and culture as you progress with your studies

World Literatures

Look beyond the boundaries of traditional courses in English Literature and explore a wide and exciting range of literatures in English and translation from antiquity to the present day. Discover texts that have influenced the development of literary English, from the Bible and classical figures such as Ovid and Homer, through Medieval and Early Modern authors such as Dante and Rabelais to contemporary world authors in translation such as Kafka and Rushdie.

Global Cinemas

Join us as you explore the stylistic, industrial and cultural diversities of global cinema, through the close study of films from different historical and regional contexts. Whilst developing your analytical skills you will examine variations in cinematic style, aesthetics and production modes and consider how films reflect and shape social, political and industrial landscapes.

Through lectures, screenings, readings and discussions, you will explore major cinematic movements and traditions such as:

Silent cinema

Classical Hollywood

Global Neorealism

Middle Eastern and European New Waves

Contemporary independent filmmaking

You will also engage with key debates on:

Film authorship

Digital technologies

Genre evolution

Film circulation

Emerging identities in cinema

By analysing case studies from mainstream and avant-garde traditions across different regions, you will gain a broader understanding of the theoretical and cross-cultural connections that shape world cinema. By the end of the module, you will have developed critical perspectives on the continuities, ruptures, and debates in film history.

Key Perspectives in Global Media and Culture

Much of what constitutes contemporary media culture is so familiar to us that it makes it hard for us to take a distanced, critical view of our mediatised societies.

In this module, you will develop an understanding of the relationship between the culture that is always all around you, and the overarching structures of power and social contexts that help to explain that culture. We will pay particular attention to the role of media in global systems of power and meaning through various sociological and interdisciplinary lenses, such as:

media studies

cultural studies

critical race theory

postcolonial studies

We will explore essential theoretical perspectives and longstanding global debates in media and cultural studies, and you will learn how to form your own opinions and arguments concerning the mediated world.

Classic Hollywood Genres

Explore the development of film genres in Classic Hollywood, examining how the studio system shaped genre conventions, storytelling techniques, and audience expectations. You will analyse key genres, such as Silent Cinema, Musicals, and Melodrama, considering their evolution, industrial contexts, and cultural significance.

Through screenings and critical readings, you will assess how genre films establish recurring themes, visual styles and modes of performance. The module also explores how factors such as technological advancements, audience demand and the rise of the star system influenced genre filmmaking.

By the end of the module, you will have developed a strong understanding of genre as both a creative and commercial force in Hollywood cinema, as well as essential analytical skills for further study in film history, theory, and contemporary genre cinema.

Film, Gender, Race and Ideology

Join us as we explore how cinema constructs, reinforces and challenges ideas of gender, race and ideology through global examples. You will engage with key theoretical frameworks, including feminist and queer film phenomenology, psychoanalysis, Marxism and postcolonial theory, to critically examine how films reflect and shape social and political structures.

Through screenings and readings, you will analyse the work of women filmmakers, Third Cinema movements and representations of race and identity across different cultural and historical contexts. The module considers how film style, narrative and spectatorship contribute to ideological meaning, encouraging you to question dominant perspectives in mainstream and independent cinema.

By the end of the module, you will have developed critical tools to analyse cinema through multiple theoretical lenses, deepening your understanding of film as a site of ideological negotiation. This module provides essential skills for further study in film theory, global cinema and cultural analysis.

Screenwriting

This dynamic module blends theory and practice to immerse you in the craft of screenwriting. Through lectures and hands-on workshops, you will develop essential skills in narrative structure, character development and dialogue, while working towards a 15–20-page screenplay.

You will engage with the entire screenwriting process—from initial concept to final draft—receiving feedback through writing groups, table reads and peer critiques. The module emphasises both creativity and industry awareness, introducing you to funding opportunities, pitching techniques and the screenwriter’s role in film production. Alongside practical writing, you will refine your critical analysis skills by evaluating professional screenplays and developing confidence in presenting your work.

By the end of the module, you will have produced a professional-quality screenplay and gained a comprehensive storytelling toolkit, preparing you for careers in screenwriting, filmmaking and broader media industries.

Gender and Sexuality in Popular Culture

Explore how gender identities and sexualities are constructed, normalised, and navigated in relation to media and popular culture. Drawing on feminist and queer media research, we examine how representations in the media play a role in reinforcing gender binaries and heteronormative social roles and identities, focussing on how media and popular culture have been co-opted as a space of creative resistance.

The module takes an intersectional approach, examining gender and sexuality within complex relations of class, race, ethnicity, dis/ability and age. We examine these questions by engaging with a wide range of spaces and platforms including film, television, fashion, music, public space, and digital and social media.

Short Film Production

In this module, you will collaboratively develop, produce, and complete a short dramatic film while engaging with sustainable industry-standard production practices. The emphasis is on technical competence, creative problem-solving, and reflective collaboration.

At the start of the module, you'll form your own production groups and assign yourself one of the key creative roles within the team—Director, Producer, Cinematographer, Art Director, Sound Recordist/Designer, or Editor. Where needed, roles may be shared or doubled up to ensure all production responsibilities are met.

The module is supported by advanced technical workshops in camera, lighting, grip, sound, editing, and post-production workflows, preparing you to meet contemporary professional standards while reflecting on sustainability and resource-conscious filmmaking.

Film Theory and Aesthetics

Move beyond introductory concepts to explore film theory in depth, examining how films construct meaning through form, representation, and audience engagement.

You will critically assess cinema’s relationship with artistic expression and spectatorship, engaging with complex debates that have shaped film scholarship since the medium’s inception. Focusing on advanced theoretical analysis, this module equips you with the conceptual knowledge and critical vocabulary to interpret films using semiotic, psychoanalytic, formalist, philosophical and cognitivist approaches.

You will explore key concepts such as cinematic modernism, subjectivity in film perception and cinema’s evolving relationship with philosophy. The module fosters independent critical engagement with the works of influential theorists, deepening your understanding of theoretical frameworks.

By applying these perspectives to a range of case studies, you will refine your ability to conduct detailed textual analysis. By the end of the module, you will have developed sophisticated theoretical and analytical skills essential for higher-level film study.

Visual Cultures

Our everyday lives are saturated by images of all kinds. This module will introduce you to some key ‘ways of seeing’ our world of images. We will explore questions such as:

How are images made, who gets to produce them and, importantly, from whose point of view?

How do pictures circulate?

How do viewers read and interpret images?

Who gets to look and through whose eyes?

How do these processes and practices relate to power?

We’ll consider these questions in relation to a range of media texts, from photographs and advertisements to television and film.

Digital Cultures

This module explores how digital technologies, in their multiple forms, figure in our everyday lives and the global societies we live in. This includes social media platforms, search engines, publicly available artificial intelligence chatbots as well as the multitude of apps that mediate every aspect of our lives, from access to news and information to dating, food and consumption, education, and professional life.

We will analyse the affordances of digital technologies in connection to questions of power, context, and embodiment. This module will stimulate you to start seeing how media and technology do more than transmitting messages and information. Instead, they have an ontological role in shaping social relations, subjectivities, practices and cultures.

Attuning you to this role, this module allows you to understand media as much more than simply channels of representation or communication. The assessments in this module give you plenty of space to articulate your own experiences in everyday life to the theoretical literature and conceptual frameworks that you are introduced to in this module.

Work Based Learning Year

This module will allow you to spend the year working in a graduate-level placement role in the industry or sector that interests you most. Throughout the year, you will build an awareness of what is required in the professional workplace whilst developing a range of transferable skills.

During the module you will reflect on and critically analyse: your own career readiness, the ongoing development of your self-awareness in terms of skills and professional knowledge, and your understanding of current workplace practices and professional etiquette.

Our Careers and Placements Team will support you during your placement with online contact and learning resources.

Independent Project (Film, English, Creative Writing and Media)

This is the culmination of your studies, combining everything you have learnt to undertake an in-depth, self-directed research project on the topic of your choice. You will propose an area of investigation, and an appropriate supervisor will be assigned to provide guidance, helping you refine your research focus and methodology.

Supporting independent research, creative exploration, and critical engagement with film and media practices, this module gives you the freedom to explore your personal interests. You may choose to complete one of the following:

A traditional written dissertation

An individual practice-based project such as a short film, screenplay, or other media work accompanied by a written critical piece

A small group practical project in which you will collaboratively produce a short film with individual critical reflections

By the end of the module, you will have produced a substantial piece of work demonstrating advanced conceptual engagement, independent thinking and project management, preparing you for further study or a career in research, filmmaking or the media industry.

Media Industries

In this module, you’ll delve into the structure, function, and evolution of ‘traditional’ and digital media industries, ranging from journalism and consumer industries to streaming services and online content creation. You will consider the economic, cultural, and technological forces driving these industries, and their societal impact. You’ll debate the role of media regulation and policy in shaping the ever-changing media industries today.

Documentary Production

This advanced, practice-based module provides an industry-informed approach to documentary filmmaking.

Working in small groups, you will research, develop and produce a short documentary, choosing either to pursue an independent concept or respond to a stakeholder brief. The module supports a broad range of documentary genres and styles, encouraging experimentation with form while maintaining professional standards.

Through workshops and practical training, you will refine your skills in cinematography, sound recording and editing, while gaining awareness of ethical considerations, industry expectations, funding opportunities and distribution strategies across traditional and digital platforms.

Collaboration is central to this module, requiring you to navigate real-world production challenges, from research and planning to post-production. By the end of the module, you will have created a completed short documentary and developed the technical, conceptual and professional skills essential for careers in documentary filmmaking and beyond.

Global Film Genres

Examining the evolution of film genres in a global context, this module focuses on the ways contemporary filmmakers innovate within established and classic genre traditions. You will analyse key genres (which may include Science Fiction, Horror and Comic Book films), considering their artistic, industrial and technological developments across different cinematic traditions.

Through case studies, you will explore how genre conventions adapt to national and transnational influences, addressing topics such as digital effects and world-building, genre hybridity and the role of franchises in global media. The module also considers how streaming platforms, audience reception and fan cultures shape contemporary genre filmmaking.

By the end of the module, you will have gained an advanced understanding of modern genre as a dynamic cinematic form. You will be equipped with critical and analytical skills essential for further research or careers in film criticism, curation and media industries.

Audiences, Fans and Participatory Cultures

How has the experience of being part of a media audience transformed in recent years? How do we make sense of being a fan nowadays? In what ways do fan culture and audience community manifest social transformations on both local and global scales? This module aims to provide you with a critical understanding of fandom and audiences in a global and transnational context. The module will focus on issues such as participation, pleasure, performance, and power by investigating fan culture and audience communities of a wide range of transmedia texts in a global perspective. You are encouraged to analyse the multi-layered dynamics between individual fan, fan community, audience participation, media texts, and industries through interdisciplinary lenses, for example, feminist studies, queer studies, and postcolonial studies.

Film Industries, Practices and Movements

This module examines the evolving structures, practices, and challenges of film industries across different historical and global contexts. You will explore key industrial processes such as censorship, marketing, promotion and sustainability, while also engaging with major film movements that have shaped contemporary cinema.

Through case studies, you will analyse how national and transnational film industries adapt to technological, economic and political shifts. Topics may include digital cinema, green production initiatives and the role of institutions such as the BFI in shaping industry standards. The module also explores movements like Hong Kong and New Wave cinemas, assessing their impact on filmmaking practices and global circulation.

By the end of the module, you will have developed a critical understanding of the forces shaping film industries, equipping you with analytical skills applicable to film production, distribution and policy. This module provides a strong foundation for further study in film culture and industry practices.

Film Circulation, Exhibition and Audiences

Discover cinema as a dynamic socio-cultural institution, exploring how films are circulated, exhibited and received. You will analyse the role of mediators such as programmers, distributors and critics, as well as the spaces where films are consumed and preserved, including cinemas, festivals, archives and digital platforms.

Focusing on both historical and contemporary perspectives, the module considers how film cultures evolve within local and global contexts. Examples may include:

The introduction of movie theatres in colonial settings

The rise of multiplexes

The role of film festivals in shaping regional industries

You will also explore how exhibition and distribution shape audience engagement and film heritage.

By the end of the module, you will have developed advanced research, analytical and communication skills, enabling you to engage critically with film institutions and cultural industries. This will prepare you for further academic study or careers in film curation, distribution and exhibition.

Experimental Film Production

This hands-on module uses engaging workshops to explore Experimental Film Production and discover how it challenges mainstream narratives and disrupts traditional modes of spectatorship.

Through a combination of critical discussions on selected films and hands-on creative experimentation, this module challenges you to rethink film form beyond conventional storytelling while encouraging you to bring your visions to life through practice.

You will study key movements and approaches, starting from the historical avant-gardes – the influence of artistic movements like Dada, Surrealism and Structuralism- to contemporary artists’ moving image.

By the end of the module, you will have developed a critical and practical understanding of experimental cinema, gaining experience in challenging the boundaries of film aesthetics and spectatorship. Emphasising creative risk-taking and critical inquiry, this module encourages an expanded approach to filmmaking that transcends conventional modes of production and exhibition.

The Making of Media and AI Futures

What will our digital future look like?

How could AI transform global societies?

What media will we watch, listen to, wear, be tracked by, or collaborate with – whether in smart cities, virtual workplaces, or even in outer space?

These are the big questions that this module will explore, addressing how past visions of technological futures inform the speculative digital landscapes we imagine today. This module examines the social, cultural, and political implications of these technologies, addressing issues such as personalisation, surveillance, platform governance, and digital inequalities. You will explore critical debates on issues such as automation, data governance, digital labour, and ethics while reflecting on the future of digital media in everyday life.

Mediating the Body

‘The body’ is a key site of both control and resistance in media culture. This module explores how media representations, cultural norms, and societal structures shape perceptions of the body, identity, and agency. Thinking about body politics through an intersectional lens, you’ll critically examine issues like gender, sexuality, race, disability, class, and body type, unravelling the intricate connections between media and the lived experience of the body. We’ll think about what kinds of bodies fit social and cultural norms, how these norms are circulated and embedded in the public imaginary, and whether bodies can be re-imagined as sites of resistance.

Fees and funding

Our annual tuition fee is set for a 12-month session, starting at the beginning of each academic year.

Our Undergraduate Tuition Fees for 2027/28 are:

International

Fees and funding information

Additional fees and funding information accordion

Additional costs

There may be extra costs related to your course for items such as books, stationery, printing, photocopying, binding and general subsistence on trips and visits. Following graduation, you may need to pay a subscription to a professional body for some chosen careers.

Specific additional costs for studying at Lancaster are listed below.

College fees

Lancaster is proud to be one of only a handful of UK universities to have a collegiate system. Every student belongs to a college, and all students pay a small college membership fee which supports the running of college events and activities. Students on some distance-learning courses are not liable to pay a college fee.

For students starting in 2026 or 2027, the fee is £40 for undergraduates and research students and £15 for students on one-year courses. Students on some distance-learning courses are not liable to pay a college fee.

Computer equipment and internet access

To support your studies, you will also require access to a computer, along with reliable internet access. You will be able to access a range of software and services from a Windows, Mac, Chromebook or Linux device. For certain degree programmes, you may need a specific device, or we may provide you with a laptop and appropriate software - details of which will be available on relevant programme pages. A dedicated IT support helpdesk is available in the event of any problems.

The University provides limited financial support to assist students who do not have the required IT equipment or broadband support in place.

Study abroad courses

In addition to travel and accommodation costs, while you are studying abroad, you will need to have a passport and, depending on the country, there may be other costs such as travel documents (e.g. visa or work permit) and any tests and vaccines that are required at the time of travel. Some countries may require proof of funds.

Placement and industry year courses

In addition to possible commuting costs during your placement, you may need to buy clothing that is suitable for your workplace and you may have accommodation costs. Depending on the employer and your job, you may have other costs such as copies of personal documents required by your employer for example.

What is my fee status?

The fee that you pay will depend on whether you are considered to be a home or international student. Read more about how we assign your fee status.

Fees in subsequent years

Home fees are subject to annual review, and are liable to rise each year in line with UK government policy. International fees (including EU) are reviewed annually and are not fixed for the duration of your studies. Read more about fees in subsequent years.

Fees for study abroad and work placements

We will charge tuition fees to Home undergraduate students on full-year study abroad/work placements in line with the maximum amounts permitted by the Department for Education. The current maximum levels are:

Students studying abroad for a year: 15% of the standard tuition fee

Students taking a work placement for a year: 20% of the standard tuition fee

International students on full-year study abroad/work placements will also be charged in line with the maximum amounts permitted by the Department for Education. The current maximum levels are:

Students studying abroad for a year: 15% of the standard international tuition fee during the Study Abroad year

Students taking a work placement for a year: 20% of the standard international tuition fee during the Placement year

Please note that the maximum levels chargeable in future years may be subject to changes in Government policy.

Scholarships and bursaries

You will be automatically considered for our main scholarships and bursaries when you apply, so there's nothing extra that you need to do.

You may be eligible for the following funding opportunities, depending on your fee status:

Fee status:

Any fee status

Home students

International students

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We also have other, more specialised scholarships and bursaries - such as those for students from specific countries.

Browse Lancaster University's scholarships and bursaries.

We are partners with the British Film Institute (BFI)

All our students have free access to BFI Player with hundreds of British, world and classic films, plus workshops and masterclasses.

Media and Cultural Studies at Lancaster

Studying Media and Cultural Studies

Our degree helps you understand how changing media is affecting who we are, how we think and what we value.

Preparing for your career

The pace of change in media industries and jobs means that preparing for your career is about being able to provide insights and unique combinations of experience that set you apart.

Developing practical skills

Our degree exposes you to a variety of media practices that are central to how media industries are transforming today.

Digital Media Studio

All students who take MCS modules are able to access technology from the Digital Media Studio.

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Important information

The information on this site relates primarily to the stated entry year and every effort has been taken to ensure the information is correct at the time of publication.

The University will use all reasonable effort to deliver the courses as described, but the University reserves the right to make changes to advertised courses. In exceptional circumstances that are beyond the University’s reasonable control (Force Majeure Events), we may need to amend the programmes and provision advertised. In this event, the University will take reasonable steps to minimise the disruption to your studies. If a course is withdrawn or if there are any fundamental changes to your course, we will give you reasonable notice and you will be entitled to request that you are considered for an alternative course or withdraw your application. You are advised to revisit our website for up-to-date course information before you submit your application.

More information on limits to the University’s liability can be found in our legal information.

Our Students’ Charter

We believe in the importance of a strong and productive partnership between our students and staff. In order to ensure your time at Lancaster is a positive experience we have worked with the Students’ Union to articulate this relationship and the standards to which the University and its students aspire. Find out more about our Charter and student policies.

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