Film and English Literature (Placement Year)
Lancaster University · PQ34 · 2027
主成績:三科5*55(544待確認),大部分科目,不計中文、數學必修、英國文學、音樂、公民與社會發展,M1/M2可計 指定科:沒有已列明的指定科 英文:DSE英文4
| 要求 | 需要 |
|---|---|
| 主成績 | 三科5*55(544待確認) |
| 英文 | DSE英文4 |
| 主成績 | 三科544 |
官方原文、來源及取得日期
取得日期:未有保存
https://www.lancaster.ac.uk/study/entry-requirements/undergraduate-qualifications/?country=Hong+Kong
https://www.lancaster.ac.uk/study/entry-requirements/undergraduate-english-requirements/
https://www.lancaster.ac.uk/study/international-students/hong-kong/
Film and English Literature (Placement Year) BA Hons (PQ34) - Lancaster University
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Film and English Literature (Placement Year)
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Entry year
A level requirements
Duration
Full time 4 years
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Overview
Top reasons to study with us
11th for English
The Guardian University Guide (2027)
12th for Teaching Quality (English)
Top 15 for Graduate Prospects (English)
The Times and Sunday Times Good University Guide (2027)
Studying Film and English Literature at Lancaster offers a comprehensive exploration of storytelling across different media, blending the critical study of film aesthetics, theory, and cultural impact with practical film production experience. By engaging with a wide range of texts, this programme provides a strong foundation in narrative forms and techniques, equipping you with a versatile skill set for careers in the creative industries, media, publishing, and more.
Why Lancaster?
Deepen your knowledge of global literature, film, aesthetics, and cultural significance, while gaining hands-on film-making experience
Create your own films using state-of-the-art equipment, with 24/7 access to editing suites, and cinema ready cameras
Learn from distinguished academics, published authors, and professional filmmakers, and develop your skills in small seminar groups and workshops
Participate in Lancaster’s vibrant arts community, with student-run journals, literary and film events taking place on campus and in the city centre
Draw inspiration from Lancaster’s unique surroundings, from the historic cityscape to the scenic Lake District, a creative haven for writers and filmmakers
Prepare for a career in the creative industries with a portfolio showcasing your storytelling voice across both page and screen
Creative storytelling
Combining an in-depth exploration of literary works with rich cinema history and practical film-making, this course expertly blends the study of literature with film.
Explore the fascinating world of film, covering topics from global cinema history, innovative storytelling strategies and influential movements to contemporary media practices. Through hands-on workshops, you’ll not only analyse film theory but also build on your practical film-making skills. You will study cinematography, editing, and sound, whilst exploring film-making styles such as narrative, documentary and experimental, providing you with the skills to create your own short films.
Through studying English Literature, you’ll explore a vast range of texts, from ancient myths to contemporary graphic novels, as well as a host of different voices, themes, and forms. This programme encourages active, transformative reading, connecting literature with broader themes such as politics, ecology, gender, theology, fashion, film, and philosophy.
This all makes ideal subject material for you to bring into your film-making. For example, former student Isobel Turner created a thought-provoking documentary, Femininity, that discussed the interaction between femininity and feminism from multiple perspectives, drawing on a range of film and literary sources to focus on the beauty of bodies.
Exceptional resources
You will have access to top-of-the-line production equipment so you can create your own original content. Make use of our cinema-ready digital cameras with prime lenses, DSLR cameras, versatile set lighting, grip equipment and full access to Adobe Creative Cloud in our acoustic editing suites. We have everything you need to learn the fundamentals of digital audio and camerawork in our specialist production facilities, ensuring you can put your ideas into practice. Whenever you need support, you can turn to our skilled technicians who are on hand to support your studies.
The university library is a favourite hangout spot for our students. With quiet, cosy corners and collaborative working spaces and – of course – books galore, both online and hard copy, it is one of many vitalising study spaces on campus.
Inspirational communities
Studying Film and English literature at Lancaster offers a rich, creative community that extends from our campus to the city’s Castle Quarter and beyond. Participate in our student-run cinema, where you can show your films, our vibrant student Film Society, or LA1TV – our Student Union television station.
The campus’s historic and scenic surroundings provide additional inspiration, with the Lake District nearby as a stunning creative backdrop. Take advantage of Lancaster’s city centre arts venue, The Dukes, that shows the latest independent and foreign films on our doorstep. In previous years, final year students have shown their own films here. You’ll also be close to mainstream cinemas in Lancaster and nearby Morecambe, and the city’s vibrant programme of annual literary and music events.
We host many free literary events both on campus and in spectacular locations such as the medieval Lancaster Castle, the awe-inspiring Priory, and the archive-rich Wordsworth Centre at Grasmere in the Lake District. These events include:
Talks from visiting scholars and authors
Study retreat day in the Lake District
Social events such as the October Lecture and May Gathering
You’ll also have opportunities to contribute to student-run literary journals — Lux, Flash, Cake, Errant, and Cut/To — enriching your literary network.
Your department
School of Arts
Faculty of Humanities, Arts and Social Sciences
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Film Studies at Lancaster University
Cutting-edge production facilities, a strong theoretical grounding, and a global perspective on film. Hear what Film Studies at Lancaster University could offer to you.
English Literature at Lancaster University
Discover a wide expanse of genres and time periods, right up to newly published literature. Our students explain what it’s like to study English Literature at Lancaster University, from our close-knit community and small-group teaching, to the accessibility of our friendly teaching staff.
Students at work
You’ll be developing your practical skills in our film production modules by experimenting with narrative films or documentaries. We provide top-of-the-line production equipment so you can create your own original content.
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Practical experience
You will have the opportunity to produce short films in all three years of your study.
Interesting surroundings
Make use of Lancaster’s stunning surroundings for the perfect film setting – cityscape, rural backdrop or coastal charm.
Film production
Gain practical film-making skills and an understanding of film production.
Production equipment
We provide top-of-the-line production equipment so you can create your own original content. Enjoy 24/7 access to our editing suites and specialist equipment, including cinema-ready digital cameras.
Showcase your films
Every year our final year students showcase their films in a major degree show exhibition, that is open to the public.
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Literary Lancaster
Be part of Literary Lancaster - a vibrant community of critics and writers. Enjoy our rich programme of free literary events both on campus and in the city’s historic Castle Quarter.
Meet our tutors
Get to know our tutors and find out a little bit more about their background and why they love to do what they do.
Wordsworth, Romanticism and the Lakes
Being so close to the spectacular Lake District, home of the Romantic poets, we have world-class strengths in Romanticism.
Scholarships, bursaries and prizes
We are always looking to support, encourage, and celebrate our students.
Creative Arts Facilities at Lancaster University
Whatever creative arts subject you choose, you’ll find we have specialist spaces and equipment to inspire your studies.
Annual Degree Show
Every year our final year students showcase their designs in a major degree show exhibition, which is open to the public.
Your Placement Year
Sometimes known as a year in industry, your placement year will take place between your second and final year of study and this will extend your degree to four years.
Placements and Internships
Hear from students and employers on how Lancaster University could support you to gain real-world experience and bolster your CV with a placement or internship as part of your degree.
A placement year is an excellent way to...
try out a role that you may be interested in as a career path
start to build your professional network (some placement students are offered permanent roles to return to after they graduate)
develop skills, knowledge and experience to put you ahead of the field when you graduate
You'll spend your third year...
in a graduate-level position, where you’ll work for between nine and twelve months in the type of role that you might be considering for after you graduate. A very wide range of companies and organisations offer placements across all sectors.
As a full-time employee, you’ll have a job description with specific responsibilities and opportunities to access training and development, the same as other employees.
Our Careers and Placements Team...
will help you to search and compete for a suitable placement with expert advice and resources, such as creating an effective CV, and tips for applications and interviews.
You will still be a Lancaster University student during your placement and we’ll keep in touch to check how you are getting on.
The university will...
use all reasonable effort to support you to find a suitable placement for your studies. While a placement role may not be available in a field or organisation that is directly related to your academic studies or career aspirations, all offer valuable experience of working at a graduate level and gaining a range of professional skills.
If you are unsuccessful in securing a suitable placement for your third year, you will be able to transfer to the equivalent non-placement degree scheme and continue with your studies at Lancaster, finishing your degree after your third year.
Film and English Literature at Lancaster is designed to equip you with the skills needed to succeed in a wide variety of creative industries. As the worlds of film, media, and publishing continue to evolve, this programme prepares you to adapt to new roles and technologies in both traditional and emerging fields. Whether you’re interested in storytelling on screen, analysing literary texts, or exploring how visual and written narratives intersect, you will be well-prepared to make your mark in a dynamic job market.
Graduates from our Film and English Literature programme find success in a range of roles including:
Film and media producer
Publishing specialist
Print and digital editor
Advertising executive
Marketing executive
Broadcast and print journalist
Film programming curator
Script Supervisor
Screenwriter
Content producer
Arts Manager
The programme also lays a strong foundation for further specialisation through postgraduate study. Many graduates pursue advanced training at esteemed institutions such as the London Film School, the Met Film School, and the National Film and Television School. Others continue with advanced academic research in areas such as film studies, creative writing, and literature, with Lancaster’s own MA programme in English Literature providing an ideal pathway.
Whatever your career aspirations, this programme provides you with both the theoretical grounding and practical experience to pursue a fulfilling path in the film, media, and literary landscapes.
Careers and employability support
Our degrees open up an extremely wide array of career pathways in businesses and organisations, large and small, in the UK and overseas.
We run a paid internship scheme specifically for our arts, humanities and social sciences students, supported by a specialist Employability Team. The team offer individual consultations and tailored application guidance, as well as careers events, development opportunities, and resources.
Whether you have a clear idea of your potential career path or need some help considering the options, our friendly team is on hand.
Lancaster is unique in that every student is eligible to participate in The Lancaster Award which recognises activities such as work experience, community engagement or volunteering and social development. A valuable addition to your CV!
Find out more about Lancaster’s careers events, extensive resources and personal support for Careers and Employability.
Explore Student Futures
Our graduates go on to a diverse range of careers from academics to celebrated poets, screen-writers and novelists. Others go into a host of other careers closely related to literary study, such as teaching, publishing, copywriting and advertising. A degree in literary studies can, though, lead to other, less obvious futures, such as psychotherapy, emerging markets consultancy, data analysis and finance.
Student Futures
Find out about some of the careers our alumni have entered into after graduation.
Entry requirements
These are the typical grades that you will need to study this course. This section will tell you whether you need qualifications in specific subjects, what our English language requirements are, and if there are any extra requirements such as attending an interview or submitting a portfolio.
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A levels
ABB. Film, Media or one other humanities subject would be considered desirable but not essential.
Access to HE Diploma
30 Level 3 credits at Distinction plus 15 Level 3 credits at Merit. Film, Media or one other humanities subject would be considered desirable but not essential.
Advanced Skills Baccalaureate Wales
We accept the Advanced Skills Baccalaureate Wales in place of one A level, or equivalent qualification, as long as any subject requirements are met.
BTEC Extended Diploma
DDM. Ideally this would be in a subject relevant to Film or Media, although this is not essential.
BTEC in combination with A levels
A level at grade B plus BTEC(s) at DD, or A levels at grade BB plus BTEC at D. Film, Media or one other humanities subject would be considered desirable but not essential.
International Baccalaureate
32 points overall with 16 points from the best 3 HL subjects
Scottish Highers and Advanced Highers
We are happy to admit applicants on the basis of five Highers, but where we require a specific subject at A level, we will typically require an Advanced Higher in that subject. If you do not meet the grade requirement through Highers alone, we will consider a combination of Highers and Advanced Highers in separate subjects. Please contact the Admissions team for more information.
T levels
Distinction overall
GCSE requirements
English Language grade 4/C.
We will also look at your overall GCSE profile when considering your application as a whole.
We do have flexibility when considering GCSE requirements. Go to our GCSE information for more details.
English language requirements
If English is not your first language, we require an IELTS score of 6.5 overall with at least 5.5 in each component for this programme. English language qualifications for undergraduate study.
Help from our Admissions team
If you are thinking of applying to Lancaster and you would like to ask us a question, complete our enquiry form and one of the team will get back to you.
We also have more details on our website about:
Other qualifications we accept
International qualifications
How to apply and what happens afterwards
International foundation programmes
Delivered in partnership with Lancaster University International Study Centre, our one-year tailored foundation pathways are designed to improve your subject knowledge and English language skills to the level required by a range of Lancaster University degrees. Visit the Lancaster University International Study Centre for more details and a list of eligible degrees you can progress onto.
Contextual admissions
Contextual admissions could help you gain a place at university if you have faced additional challenges during your education which might have impacted your results. Visit our contextual admissions page to find out about how this works and whether you could be eligible.
Course structure
We continually review and enhance our curriculum to ensure we are delivering the best possible learning experience, and to make sure that the subject knowledge and transferable skills you develop will prepare you for your future. The University will make every reasonable effort to offer programmes and modules as advertised. In some cases, changes may be necessary and may result in new modules or some modules and combinations being unavailable, for example as a result of student feedback, timetabling, Professional Statutory and Regulatory Bodies' (PSRB) requirements, staff changes and new research. Where the course offers optional modules, they may not all be available every year.
core modules accordion
Introduction to Film Studies
This module introduces key approaches to film theory, analysis and history while integrating practical filmmaking experience. You will examine cinematography, editing, sound and performance through close analysis of case study films from Hollywood and global traditions. As the module progresses, you will explore major developments in global film history, considering cinema’s role in shaping cultural and political contexts.
Alongside theoretical study, you will take part in practical workshops covering camera operation, sound recording and post-production techniques. These sessions will equip you with the skills needed to collaborate on a group filmmaking project, where you will create a short film that reimagines a scene from a film screened on the module. This practical work will reinforce your understanding of film form and storytelling techniques.
By the end of the module, you will have a strong foundation in film theory, history and practice, preparing you for further academic exploration.
Literature in Time
Tracing the evolution of literature over time and in time, you will engage with an array of literary genres including plays, films, short stories, novels, poetry, essays and the graphic novel. You will encounter a wide range of literature - from the Middle Ages to the 21st Century, moving from Chaucer, through Shakespeare and Milton, to Virginia Woolf. You’ll also study contemporary writers such as Alison Bechdel and Paul Muldoon, and many others.
Optional
optional modules accordion
Understanding Media and Culture
What does it mean to study media today? In this module, you’ll be introduced to major debates, theories and thinkers in studying media and culture.
You will encounter a diverse range of material from different media, including: television, film, news, advertisements, social media, video games and more.
You will explore the intersections between our cultural environment and our identities, aspirations, beliefs and value systems, to develop essential skills in critical thinking and analysis.
The Arts and Identity (Discovery module)
This module explores the role of the arts in building community, identity and confidence. You will engage with a variety of different art forms (such as painting, theatre, fiction, designed artefacts and film) and develop your own voice via collaborative projects such as a podcasts, video essay or presentation. You will also engage in individual critical reflection for example via a blog, journal or research project.
This module fosters co-operation, intellectual experimentation and self-assurance.
British Cinema
Britain is one of the most successful and influential film industries in world cinema. In this module you will explore the key films, filmmakers and traditions that have shaped British cinema over the past century. Through a study of major genres, styles, filmmakers and themes, you will consider how British cinema has evolved and reflect on historical cinema-going habits.
Alongside this historical overview, you will engage with critical debates. You’ll examine the relationship between national identity and cinema, the role of realism and recurring preoccupations with emotional repression, race, gender and social class. You will also explore how British cinema captures and shapes ideas of ‘’Britishness’’.
Each week, screenings of case-study films by influential British directors will be paired with key readings, providing a foundation for discussion. By the end of the module, you will have developed a critical understanding of British cinema’s distinctive characteristics and its role within film history and culture.
World Literatures
Look beyond the boundaries of traditional courses in English Literature and explore a wide and exciting range of literatures in English and translation from antiquity to the present day. Discover texts that have influenced the development of literary English, from the Bible and classical figures such as Ovid and Homer, through Medieval and Early Modern authors such as Dante and Rabelais to contemporary world authors in translation such as Kafka and Rushdie.
Global Cinemas
Join us as you explore the stylistic, industrial and cultural diversities of global cinema, through the close study of films from different historical and regional contexts. Whilst developing your analytical skills you will examine variations in cinematic style, aesthetics and production modes and consider how films reflect and shape social, political and industrial landscapes.
Through lectures, screenings, readings and discussions, you will explore major cinematic movements and traditions such as:
Silent cinema
Classical Hollywood
Global Neorealism
Middle Eastern and European New Waves
Contemporary independent filmmaking
You will also engage with key debates on:
Film authorship
Digital technologies
Genre evolution
Film circulation
Emerging identities in cinema
By analysing case studies from mainstream and avant-garde traditions across different regions, you will gain a broader understanding of the theoretical and cross-cultural connections that shape world cinema. By the end of the module, you will have developed critical perspectives on the continuities, ruptures, and debates in film history.
Literary Adaptation
Exploring the adaption of literature to film and other media, this module focuses on the adaptation of literary texts to such forms as theatre, graphic novel, film, television, song, and game.
You will be invited to reflect on adaptation as a powerful and complex cultural process, one that interprets literature as well as adapts it.
Throughout the module you will normally complete either a critical essay on adaptation OR a creative project (plus short essay) that enables you to produce your own work of adaptation. This may take many forms -- written, (audio) visual, musical, digital, or three-dimensional and/or take the form of a game, production or performance, etc.
Critical Practice
Reflect on what it means to do criticism in a post-theoretical age. This module asks what happens to literary interpretation after all its many theoretical upheavals – from Marxism and feminism to postcolonialism and queer theory. Is it time to get back to the close reading of literature? Is there still room for pleasure, appreciation and creativity in the practice of criticism? We might question whether literature, in the traditional sense, even exists anymore.
You will pose these questions in relation to a range of traditional and non-traditional texts.
Classic Hollywood Genres
Explore the development of film genres in Classic Hollywood, examining how the studio system shaped genre conventions, storytelling techniques, and audience expectations. You will analyse key genres, such as Silent Cinema, Musicals, and Melodrama, considering their evolution, industrial contexts, and cultural significance.
Through screenings and critical readings, you will assess how genre films establish recurring themes, visual styles and modes of performance. The module also explores how factors such as technological advancements, audience demand and the rise of the star system influenced genre filmmaking.
By the end of the module, you will have developed a strong understanding of genre as both a creative and commercial force in Hollywood cinema, as well as essential analytical skills for further study in film history, theory, and contemporary genre cinema.
Screenwriting
This dynamic module blends theory and practice to immerse you in the craft of screenwriting. Through lectures and hands-on workshops, you will develop essential skills in narrative structure, character development and dialogue, while working towards a 15–20-page screenplay.
You will engage with the entire screenwriting process—from initial concept to final draft—receiving feedback through writing groups, table reads and peer critiques. The module emphasises both creativity and industry awareness, introducing you to funding opportunities, pitching techniques and the screenwriter’s role in film production. Alongside practical writing, you will refine your critical analysis skills by evaluating professional screenplays and developing confidence in presenting your work.
By the end of the module, you will have produced a professional-quality screenplay and gained a comprehensive storytelling toolkit, preparing you for careers in screenwriting, filmmaking and broader media industries.
Film, Gender, Race and Ideology
Join us as we explore how cinema constructs, reinforces and challenges ideas of gender, race and ideology through global examples. You will engage with key theoretical frameworks, including feminist and queer film phenomenology, psychoanalysis, Marxism and postcolonial theory, to critically examine how films reflect and shape social and political structures.
Through screenings and readings, you will analyse the work of women filmmakers, Third Cinema movements and representations of race and identity across different cultural and historical contexts. The module considers how film style, narrative and spectatorship contribute to ideological meaning, encouraging you to question dominant perspectives in mainstream and independent cinema.
By the end of the module, you will have developed critical tools to analyse cinema through multiple theoretical lenses, deepening your understanding of film as a site of ideological negotiation. This module provides essential skills for further study in film theory, global cinema and cultural analysis.
Critical Theory
Explore literary criticism as it is now and what it may yet become. You will have the opportunity to consider a whole range of major theoretical and philosophical concepts, such as:
The body
Violence
The animal
You will study a range of fascinating modern thinkers, ranging from Marx, Freud and Nietzsche, through to more recent figures such as Simone Weil, Walter Benjamin, Jacques Derrida, Judith Butler, Fred Moten, Cornel West and Sara Ahmed.
Postcolonial Literature
Explore postcolonial literature across a wide historical span. Your study will move from the explosion of new national literatures in the era of decolonisation through to contemporary writing that interrogates the legacies of racism and imperialism in our globalised world.
You’ll read exciting major writers who defined the emergence of African, South Asian and Caribbean literature in English in the middle of the twentieth century. You’ll also encounter today’s new voices, grappling with the afterlives of empire.
Cutting through all our thinking will be the question of how literature serves, in Ngugi wa Thiongo’s phrase, as a means of 'decolonising the mind'.
Film Theory and Aesthetics
Move beyond introductory concepts to explore film theory in depth, examining how films construct meaning through form, representation, and audience engagement.
You will critically assess cinema’s relationship with artistic expression and spectatorship, engaging with complex debates that have shaped film scholarship since the medium’s inception. Focusing on advanced theoretical analysis, this module equips you with the conceptual knowledge and critical vocabulary to interpret films using semiotic, psychoanalytic, formalist, philosophical and cognitivist approaches.
You will explore key concepts such as cinematic modernism, subjectivity in film perception and cinema’s evolving relationship with philosophy. The module fosters independent critical engagement with the works of influential theorists, deepening your understanding of theoretical frameworks.
By applying these perspectives to a range of case studies, you will refine your ability to conduct detailed textual analysis. By the end of the module, you will have developed sophisticated theoretical and analytical skills essential for higher-level film study.
Short Film Production
In this module, you will collaboratively develop, produce, and complete a short dramatic film while engaging with sustainable industry-standard production practices. The emphasis is on technical competence, creative problem-solving, and reflective collaboration.
At the start of the module, you'll form your own production groups and assign yourself one of the key creative roles within the team—Director, Producer, Cinematographer, Art Director, Sound Recordist/Designer, or Editor. Where needed, roles may be shared or doubled up to ensure all production responsibilities are met.
The module is supported by advanced technical workshops in camera, lighting, grip, sound, editing, and post-production workflows, preparing you to meet contemporary professional standards while reflecting on sustainability and resource-conscious filmmaking.
American Literature
What we call ‘American Literature’ and how we define America and ‘the American experience’ depends on who is writing and to whom. In this module you will encounter many different voices, many conflicting and contrasting views, a diversity of complex experience and a great range of writing in form and style.
You will explore such questions as: What role do different literary forms play in narrating the self? How does American writing seek to establish a new way of looking at the world? And how and why does literature help shape forms of protest and new critiques of modernity?
Victorian Literature
The years of Queen Victoria’s reign (1837-1901) saw great social, political and cultural transformation. Changing social conditions, extraordinary scientific breakthroughs and the emergence of new technologies all altered the ways in which Victorians thought about themselves and their environment. The literature of the period responded resourcefully to the turbulent circumstances from which it emerged.
In this module, you will examine a wide range of Victorian writing, including novels, short fiction, poetry, drama and non-fictional prose and will explore and interrogate all the complexities of the Victorian age.
Work Based Learning Year
This module will allow you to spend the year working in a graduate-level placement role in the industry or sector that interests you most. Throughout the year, you will build an awareness of what is required in the professional workplace whilst developing a range of transferable skills.
During the module you will reflect on and critically analyse: your own career readiness, the ongoing development of your self-awareness in terms of skills and professional knowledge, and your understanding of current workplace practices and professional etiquette.
Our Careers and Placements Team will support you during your placement with online contact and learning resources.
Independent Project (Film, English, Creative Writing and Media)
This is the culmination of your studies, combining everything you have learnt to undertake an in-depth, self-directed research project on the topic of your choice. You will propose an area of investigation, and an appropriate supervisor will be assigned to provide guidance, helping you refine your research focus and methodology.
Supporting independent research, creative exploration, and critical engagement with film and media practices, this module gives you the freedom to explore your personal interests. You may choose to complete one of the following:
A traditional written dissertation
An individual practice-based project such as a short film, screenplay, or other media work accompanied by a written critical piece
A small group practical project in which you will collaboratively produce a short film with individual critical reflections
By the end of the module, you will have produced a substantial piece of work demonstrating advanced conceptual engagement, independent thinking and project management, preparing you for further study or a career in research, filmmaking or the media industry.
Contemporary Literature
What is the contemporary? When did the present cultural moment start and how might it end. How do writers respond to the challenge, excitement, pressure and novelty of the ‘now’? And how is imaginative writing faring in the digital age?
You will consider these questions in relation to the work of such major authors as Ali Smith, Kazuo Ishiguro, and Colson Whitehead
Global Film Genres
Examining the evolution of film genres in a global context, this module focuses on the ways contemporary filmmakers innovate within established and classic genre traditions. You will analyse key genres (which may include Science Fiction, Horror and Comic Book films), considering their artistic, industrial and technological developments across different cinematic traditions.
Through case studies, you will explore how genre conventions adapt to national and transnational influences, addressing topics such as digital effects and world-building, genre hybridity and the role of franchises in global media. The module also considers how streaming platforms, audience reception and fan cultures shape contemporary genre filmmaking.
By the end of the module, you will have gained an advanced understanding of modern genre as a dynamic cinematic form. You will be equipped with critical and analytical skills essential for further research or careers in film criticism, curation and media industries.
Documentary Production
This advanced, practice-based module provides an industry-informed approach to documentary filmmaking.
Working in small groups, you will research, develop and produce a short documentary, choosing either to pursue an independent concept or respond to a stakeholder brief. The module supports a broad range of documentary genres and styles, encouraging experimentation with form while maintaining professional standards.
Through workshops and practical training, you will refine your skills in cinematography, sound recording and editing, while gaining awareness of ethical considerations, industry expectations, funding opportunities and distribution strategies across traditional and digital platforms.
Collaboration is central to this module, requiring you to navigate real-world production challenges, from research and planning to post-production. By the end of the module, you will have created a completed short documentary and developed the technical, conceptual and professional skills essential for careers in documentary filmmaking and beyond.
Romanticism
Study key texts and contexts from a short but remarkably intense period of literary history. Encompassing the work of writers such as Wordsworth, Blake, Keats and Shelley, you will explore the role of nature, the imagination and the sublime. You will also consider the emergence of the Gothic tradition and examine the interactions between literary and politics in a turbulent era of revolution and change.
Film Industries, Practices and Movements
This module examines the evolving structures, practices, and challenges of film industries across different historical and global contexts. You will explore key industrial processes such as censorship, marketing, promotion and sustainability, while also engaging with major film movements that have shaped contemporary cinema.
Through case studies, you will analyse how national and transnational film industries adapt to technological, economic and political shifts. Topics may include digital cinema, green production initiatives and the role of institutions such as the BFI in shaping industry standards. The module also explores movements like Hong Kong and New Wave cinemas, assessing their impact on filmmaking practices and global circulation.
By the end of the module, you will have developed a critical understanding of the forces shaping film industries, equipping you with analytical skills applicable to film production, distribution and policy. This module provides a strong foundation for further study in film culture and industry practices.
Film Circulation, Exhibition and Audiences
Discover cinema as a dynamic socio-cultural institution, exploring how films are circulated, exhibited and received. You will analyse the role of mediators such as programmers, distributors and critics, as well as the spaces where films are consumed and preserved, including cinemas, festivals, archives and digital platforms.
Focusing on both historical and contemporary perspectives, the module considers how film cultures evolve within local and global contexts. Examples may include:
The introduction of movie theatres in colonial settings
The rise of multiplexes
The role of film festivals in shaping regional industries
You will also explore how exhibition and distribution shape audience engagement and film heritage.
By the end of the module, you will have developed advanced research, analytical and communication skills, enabling you to engage critically with film institutions and cultural industries. This will prepare you for further academic study or careers in film curation, distribution and exhibition.
Experimental Film Production
This hands-on module uses engaging workshops to explore Experimental Film Production and discover how it challenges mainstream narratives and disrupts traditional modes of spectatorship.
Through a combination of critical discussions on selected films and hands-on creative experimentation, this module challenges you to rethink film form beyond conventional storytelling while encouraging you to bring your visions to life through practice.
You will study key movements and approaches, starting from the historical avant-gardes – the influence of artistic movements like Dada, Surrealism and Structuralism- to contemporary artists’ moving image.
By the end of the module, you will have developed a critical and practical understanding of experimental cinema, gaining experience in challenging the boundaries of film aesthetics and spectatorship. Emphasising creative risk-taking and critical inquiry, this module encourages an expanded approach to filmmaking that transcends conventional modes of production and exhibition.
Austen and the Brontës
Study the work of four giants of nineteenth-century British fiction: Jane Austen, Anne Brontë, Charlotte Brontë and Emily Brontë.
Focusing on questions of class, gender, power, environment and artistic technique, you will explore the tensions between Austen and the Brontes (south vs north, Regency vs Victorian, realism vs Gothic) and trace the imaginative continuities between them.
Gothic and Science Fiction
Both the Gothic and science fiction emerged in response to the 18th century ‘age of reason’ and the Western world’s investment in logic and progress. The Gothic explores the terrors of the past and its return while science fiction imagines alternative futures; in doing so, both voice the concerns of the present.
You will study both classic literary texts and contemporary film and other media. Exploring what the Gothic and science fiction each do, rather than what they each are, you will consider how these genres address some of the most pressing questions facing contemporary Western culture.
Shakespeare
Ben Jonson claimed of Shakespeare ‘he was not of an age but for all time.’ This module, however, examines Shakespearean drama and poetry in its own time and as a platform in which early modern debates about agency and government, family and national identity, were put into play. The stage was and is a place in which questions of gender, class and race, gain immediacy through the bodies and voices of actors.
By examining texts from across Shakespeare’s career, you will explore their power to shape thoughts and feelings in both their own age and in ours. You will consider how, in the past and in the present, Shakespeare’s texts exploit the emotional and political possibilities of poetry and drama.
The assessment of this module normally concludes with either an essay OR a creative engagement (e.g. reading, performance, artwork) plus critical reflection.
Fees and funding
Our annual tuition fee is set for a 12-month session, starting at the beginning of each academic year.
Our Undergraduate Tuition Fees for 2027/28 are:
International
Fees and funding information
Additional fees and funding information accordion
Additional costs
Additional costs for this course
You will be able to borrow many books free of charge from the university library, however most students prefer to buy their own copies of at least some of the texts. Costs vary depending on whether these are bought new or second hand.
There may be extra costs related to your course for items such as books, stationery, printing, photocopying, binding and general subsistence on trips and visits. Following graduation, you may need to pay a subscription to a professional body for some chosen careers.
Specific additional costs for studying at Lancaster are listed below.
College fees
Lancaster is proud to be one of only a handful of UK universities to have a collegiate system. Every student belongs to a college, and all students pay a small college membership fee which supports the running of college events and activities. Students on some distance-learning courses are not liable to pay a college fee.
For students starting in 2026 or 2027, the fee is £40 for undergraduates and research students and £15 for students on one-year courses. Students on some distance-learning courses are not liable to pay a college fee.
Computer equipment and internet access
To support your studies, you will also require access to a computer, along with reliable internet access. You will be able to access a range of software and services from a Windows, Mac, Chromebook or Linux device. For certain degree programmes, you may need a specific device, or we may provide you with a laptop and appropriate software - details of which will be available on relevant programme pages. A dedicated IT support helpdesk is available in the event of any problems.
The University provides limited financial support to assist students who do not have the required IT equipment or broadband support in place.
Study abroad courses
In addition to travel and accommodation costs, while you are studying abroad, you will need to have a passport and, depending on the country, there may be other costs such as travel documents (e.g. visa or work permit) and any tests and vaccines that are required at the time of travel. Some countries may require proof of funds.
Placement and industry year courses
In addition to possible commuting costs during your placement, you may need to buy clothing that is suitable for your workplace and you may have accommodation costs. Depending on the employer and your job, you may have other costs such as copies of personal documents required by your employer for example.
What is my fee status?
The fee that you pay will depend on whether you are considered to be a home or international student. Read more about how we assign your fee status.
Fees in subsequent years
Home fees are subject to annual review, and are liable to rise each year in line with UK government policy. International fees (including EU) are reviewed annually and are not fixed for the duration of your studies. Read more about fees in subsequent years.
Fees for study abroad and work placements
We will charge tuition fees to Home undergraduate students on full-year study abroad/work placements in line with the maximum amounts permitted by the Department for Education. The current maximum levels are:
Students studying abroad for a year: 15% of the standard tuition fee
Students taking a work placement for a year: 20% of the standard tuition fee
International students on full-year study abroad/work placements will also be charged in line with the maximum amounts permitted by the Department for Education. The current maximum levels are:
Students studying abroad for a year: 15% of the standard international tuition fee during the Study Abroad year
Students taking a work placement for a year: 20% of the standard international tuition fee during the Placement year
Please note that the maximum levels chargeable in future years may be subject to changes in Government policy.
Scholarships and bursaries
You will be automatically considered for our main scholarships and bursaries when you apply, so there's nothing extra that you need to do.
You may be eligible for the following funding opportunities, depending on your fee status:
Fee status:
Any fee status
Home students
International students
Unfortunately no scholarships and bursaries match your selection, but there are more listed on scholarships and bursaries page.
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We also have other, more specialised scholarships and bursaries - such as those for students from specific countries.
Browse Lancaster University's scholarships and bursaries.
We are partners with the British Film Institute (BFI)
All our students have free access to BFI Player with hundreds of British, world and classic films, plus workshops and masterclasses.
Download the course booklet to find out more about Lancaster University, how we teach Film Studies, and what you'll study as a Film Studies student.
Film Studies subject guide
Download the course booklet to find out more about Lancaster University, how we teach English Literature, and what you'll study as a English Literature student.
English Literature subject guide
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The information on this site relates primarily to the stated entry year and every effort has been taken to ensure the information is correct at the time of publication.
The University will use all reasonable effort to deliver the courses as described, but the University reserves the right to make changes to advertised courses. In exceptional circumstances that are beyond the University’s reasonable control (Force Majeure Events), we may need to amend the programmes and provision advertised. In this event, the University will take reasonable steps to minimise the disruption to your studies. If a course is withdrawn or if there are any fundamental changes to your course, we will give you reasonable notice and you will be entitled to request that you are considered for an alternative course or withdraw your application. You are advised to revisit our website for up-to-date course information before you submit your application.
More information on limits to the University’s liability can be found in our legal information.
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We believe in the importance of a strong and productive partnership between our students and staff. In order to ensure your time at Lancaster is a positive experience we have worked with the Students’ Union to articulate this relationship and the standards to which the University and its students aspire. Find out more about our Charter and student policies.
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