Filmmaking
Birmingham City University · P313 · 2027
主成績:(4443(四科;核心科或選修(不計英語文學、音樂)) 或 553(三科;核心科或選修(不計英語文學、音樂)) 或 其他途徑須確認) 指定科:主成績各分支已列指定科 英文:DSE英文須確認或IELTS 6(各5.5),2年內 其他:3項未能自動判斷
| 要求 | 需要 |
|---|---|
| 主成績 | (4443(四科;核心科或選修(不計英語文學、音樂)) 或 553(三科;核心科或選修(不計英語文學、音樂)) 或 其他途徑須確認) |
| 英文 | DSE英文須確認或IELTS 6(各5.5),2年內 |
官方原文、來源及取得日期
取得日期:未有保存
https://www.bcu.ac.uk/courses/filmmaking-ba-hons-2027-28
Filmmaking - BA (Hons) - 2027/28 Entry | Birmingham City University
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Undergraduate › Filmmaking - BA (Hons)
Filmmaking - BA (Hons)
Currently viewing course to start in 2027/28 Entry.
Our BA (Hons) Filmmaking degree is built for people who want to make films, build real skills, and find their place in the wider industry. You’ll learn by doing, explore different genres and technologies, and develop your own creative voice while honing your specialist talents....
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Undergraduate
Study mode
Full Time
BA (Hons)
Start date
September 2027
View course fees
Film and Photography
Location
City Centre
This course is:
Available with Professional Placement year
Open to International Students
Open Day Book now
Overview
Our BA (Hons) Filmmaking degree is built for people who want to make films, build real skills, and find their place in the wider industry. You’ll learn by doing, explore different genres and technologies, and develop your own creative voice while honing your specialist talents.
Our practice-based, industry-focused Filmmaking course enables you to develop creative and technical skills across a broad spectrum of filmmaking practices. You will be taught by experienced practitioners and scholars who support experimentation, craft development, and professional practice within the rapidly evolving world of the moving image.
What makes our course distinctive is the focus on the language of cinema. You will learn how professional filmmakers combine image, sound, editing, performance, storytelling, and collaboration to shape emotion, meaning and audience experience. Through hands-on practice, you will explore how every creative choice, from performance and camera to sound design and structure, helps to bring a story to life. Working in our purpose-built studios, sound stages, and on location, you will build practical skills, grow your confidence, and learn how to contribute effectively as part of a filmmaking team.
We encourage you to explore different forms of film production, including narrative film, documentary and more personal approaches to cinema. Through practical projects and critical reflection, you will develop as both an artist and a filmmaker, building your creative voice alongside the practical skills, confidence, and experience needed for a successful career in the screen industries.
What's covered in this course?
This course gives you the chance to explore a wide range of filmmaking styles, techniques, and creative approaches, from classic storytelling to the ever-evolving norms of today’s fast-changing screen industries. You will learn how filmmakers bring stories to life through image, sound, editing, performance, and collaboration, building both your creative understanding and practical skillset.
Alongside making your own work, you will study key film traditions, from early Hollywood cinema to contemporary international filmmaking, and discover how different genres, cultures and voices have shaped the language of film. You will also build valuable industry knowledge through engagement with guest speakers, film festivals, entrepreneurship, and the active expansion of your own professional network.
Professional Placement year
This course offers an optional professional placement year. This allows you to spend a whole year with an employer, following successful completion of your second year, and is a great way to find out more about your chosen career. Some students even return to the same employers after completing their studies.
If you choose to pursue a placement year, you will need to find a suitable placement to complement your chosen area of study. You will be able to draw on the University’s extensive network of local, regional, and national employers, and the support of our Careers teams. If you are able to secure a placement, you can request to be transferred to the placement version of the course.
Please note that fees are payable during your placement year, equivalent to 20% of the total full-time course fee for that year.
I’ve enjoyed the flexibility of the course. It’s well balanced between theory-based lectures and practical workshops. I’ve also loved the enthusiastic support from my lecturers. Everyone was really friendly and enthusiastic to work together.
Mariel Panganiban, Filmmaking graduate
Why Choose Us?
We’re ranked top 10 in the UK for Film Production and Photography for three consecutive years (Guardian League Table 2026, 2025 and 2024).
The course combines practice, theory and industry approaches to filmmaking, alongside training in film festival programming techniques.
You will be taught by noted film professors, cinema scholars and established screenwriters. Staff on the programme work together to ensure that you receive a balanced understanding of theory, practice and industry skilling relevant to the field.
You’ll have the opportunity to enhance your industry awareness by getting involved with our Curzon Street Studios team in a wide range of production and film projects, including working on gigs and commercials for professional football clubs and high-profile industry giants such as Sony, Disney and Microsoft.
You will also have the opportunity to work on big film projects. A recent production completed by BCU student, Jacob McClean, won Best Student Film at Worcester Film Festival for the award-winning film Whistling Dixie (2024) and another BCU student, Pauliina Leskinen, who won Raindance Short film contest for the award-winning Loveshots (2023) and was also a BFI Future Film Festival Nominee for Best Micro Short.
You will have access to film collections that will enrich your course of studies. These include the Cult Film Archive, a collection of 4,000+ resources (including films, screenplays and promotional materials) that have been donated directly from leading filmmakers and distribution companies in the field.
We have a partnership with BFI, which offers students free access to the BFI player and research, work placement and masterclass opportunities.
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Join us for our next Open Day where you'll be able to learn about this course in detail, chat to students,
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Next Open Day: 21 November
an Open Day
Course in Depth
First Year
Second Year
Final Year
In order to complete this course a student must successfully complete all the following CORE modules (totalling 120 credits):
Hollywood: Early Film to Blockbuster 20 credits
This module introduces you to Hollywood film through its early, classical and post-classical traditions. The module is structured around the examination of these three stages of development, with a range of debates that also allow you to evaluate American cinema through its stylistic, generic, industrial and historical features.
Film Primer 20 credits
Looking at forms in films, students will learn how visual languages are being used and how to compose shots that are translatable to other mediums such as animation. You will learn to storyboard and create effective animatics and to succinctly convey ideas and vision to produce short a film(s) as a group and individually. Expect to pitch your ideas individually and as a team.
Post-Production Fundamentals: Editing, Sound and Finish 20 credits
This module introduces students to the core principles and workflows of post-production for screen media. It provides a structured and accessible foundation in file management, picture editing, basic sound work, and export procedures, supporting students as they transition into more independent filmmaking and media practice.
The module emphasises post-production as both a technical and creative process, focusing on organisation, clarity, rhythm, and finish. Students are encouraged to develop good working habits from the outset, including disciplined project setup, attentive listening, and intentional editing decisions.
Foundations of Filmmaking 20 credits
A key aspect to understanding filmmaking, is the actual process. This module will provide you with an introduction to conventional filmmaking techniques, such as lighting, camerawork and sound recording. This also includes an introduction to pre-production operations. This will be in the form of visual and sound acquisition techniques, as well as strategies to plan for this. You will be expected to operate a range of equipment, reflecting typical processes to do with narrative and documentary filmmaking. This foundation can be built upon to support future production endeavours.
Documentary: Theory and Practice 40 credits
In this module you will explore the development of the film and television documentary by critically investigating the medium through a range of lectures, readings and screenings, and applying this to produce your own short documentary. We will consider different genres of documentary, such as direct cinema, mockumentary, investigative, ethnographic, docu-soap, experimental, docu-drama, reconstruction and the music documentary, as well as some of the contemporary issues facing documentary film makers. We will engage with a variety of academic debates that relate to the documentary, which include realism, representation, ethics and ideology, and the social, political, economic and technological contexts in which documentary can be critically located.
In order to complete this course you must successfully complete all the following CORE modules (totalling 80 credits):
Film Festivals 20 credits
This module will examine the role film festivals play in garnering critical acclaim, enabling audience access and acting as a trade hub for film, playing a part in the financing, distribution and marketing of independent titles. The aim is to unpack the culture of film festivals from the lavish, major international affairs through to grassroots events. You will examine the drivers, objectives and investment that underpins them and their strategic importance for relationship building, launching and generating PR for film.
Filmmaking Practices 40 credits
This module follows on from the first year module and helps move you further towards your professionalism. Whereas introduced you to fundamental operations, this module introduces you to ways in which you can utilise filmmaking equipment to consider and enhance the aesthetics of production. Through the study of Light, Colour, Area, Depth, Time, Movement and Sound, you will be expected to consider these as a way to further enhance your production skills.
Collaborative Practice 20 credits
The module is an opportunity to learn and critically reflect on the skills of collaboration by enabling you to create an interdisciplinary project with students from complementary disciplines, or with academic staff. Collaboration is a vital employability skill within the Creative Industries and this module allows you to develop these skills, making use of University facilities and with the support of academic staff. Within this module framework, several kinds of collaborative opportunities are available. For example, with the approval of your supervisor, you can determine a project based on your own interests; your supervisor may set you a predetermined project to enable you to work with other students in a way that is appropriate to your subject area; or there may be opportunities for you to collaborate with staff on research projects. In all cases, you must apply your subject skills to an interdisciplinary project which will be agreed in advance with your supervisor.
In order to complete this course a student must successfully complete at least 40 credits from the following indicative list of OPTIONAL modules.
Options Block 1 Choice:
Sound Design for Filmmakers 20 credits
This module facilitates a transition from foundational filmmaking (Level 4) to a rigorous, in-depth engagement with the dual pillars of production sound and post-production design: a dynamic environment of integrated practice and research that encourages creative experimentation alongside the mastery of the 'aural half' of the cinematic experience.
Cinematography 20 credits
This module follows on from the year one Foundations of Filmmaking, but introduces you to the key elements of cinematography in greater detail. Whereas Foundations of Filmmaking introduced you to fundamental, wider aspect of production and associated operations, this builds upon these, yet purely focusses on the duties within the field of cinematography.
Options Block 2 Choice:
Cinema of the Seventies 20 credits
This module will provide students with an overview of the cultural relevancy of 1970s cinema. Initially exploring the context of the decade and the fragmented nature of film narratives at the time the module will discuss the emergence and demise of ‘American New Wave/New Hollywood’ but also explore further the style, substance and aesthetics of the varying sub-genres of the time as well as the cultural and creative impact they had on both cinematic presentation and other aspects of the media industry.
Foundations of Screenwriting 20 credits
This module will teach you the essential skills of, and principles behind, the writing of short films. Although these principles apply primarily to screenwriting for film and television, this module will instead be concerned with the writing of short films. You will study a number of freely available short guides to screenplay layout and formatting and be trained in the practical application of screenplay formatting software. You will write three short scripts, given as fortnightly writing exercises, and receive detailed formative feedback on one of the scripts, which you can use to improve and develop your work for your final portfolio. You will focus on visual storytelling, layout conventions, and the issue of writing to scale (budget). You will also be encouraged to analyse, but also critique, dramatic construction in terms of character function, motivation and genre.
Pre-Production: Script to Set 20 credits
This module will teach the skills needed to take a screenplay through to principal photography via the process of pre-production. To be an effective filmmaker, knowing how to turn the words on a page into reality so that you can shoot requires an essential wide range of skills. Starting with a screenplay, the students will be taught to first build their vision through mood boards / look books, sizzle reels, reference clips, casting ideals, costume & art dept plans before evolving this newly formed vision into things such as scheduling, budgeting, legals & compliance, location scouting, casting and managing a team of creatives. In essence, from theory to practical reality.
Core modules are guaranteed to run. Optional modules will vary from year to year and the published list is indicative only.
In order to complete this course you must successfully complete all the following CORE modules (totalling 120 credits):
Post Production Techniques 20 credits
This Module focuses on the post production element of filmmaking. Specifically areas concerning editing techniques, colour correction and grading to aid narrative. Students will learn both the technical skills of audio and video editing as well as the grammar and structure that belong to the art in order to become better storytellers.
Professional Practice 40 credits
The module is an opportunity to learn and critically reflect on the skills of collaboration and/or your own professional practice. The module enables you to create either an interdisciplinary project with students from complementary disciplines or your own self-defined project.
Major Project 60 credits
The purpose of the module is to enable you to undertake a sustained, in-depth and theoretically informed research project exploring an area that is of personal interest to you. It is important that we can support you appropriately, so you will be guided towards choosing a research topic which is relevant to your discipline and in which your lecturers have expertise. The outcome may take the form of a written dissertation or a practice-based portfolio.
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During the first year of the BA (Hons) Filmmaking course, you will be introduced to key film production practices through modules such as Foundations of Filmmaking: a rapid sprint of diverse projects to test and stretch your abilities. Your skills will be further expanded through the module Hollywood: Early Film to Blockbusters, which considers contemporary and historical filmmaking conventions across a range of key genres, while foundational postproduction skills are honed in Postproduction Fundamentals: Editing, Sound and Finish. The module Documentary: Theory and Practice guides you through the artistic and practical process of conceiving and directing your own short documentary film in the field.
The second year of the course lets you expand your knowledge of filmmaking conventions through more detailed and technically advanced modules such as Filmmaking Practices. As well as being able to undertake a range of optional modules around topics such as Foundations of Screenwriting, Cinematography, Sound Design for Filmmakers, and Pre-Production: Script to Set, this second year of study also provides a dedicated module on Film Festivals, which helps you integrate strategic promotional and distributional thinking into your filmmaking process.
Your final year is packed with even more intensive filmmaking. Postproduction Techniques helps you refine your advanced editing and related crafts for the final year films to come as you further prepare for those projects and related specialisation in Professional Practices. Final year study culminates in the Major Project module, which allows you to pursue a wide range of head of department and crew contributions to as many as six films.
Further study
For successful graduates there is a natural progression from the BA Filmmaking to the MA Film Distribution and Marketing focused on nurturing entrepreneurial producers and distributors, MA Feature Film Development focused on preparing a film for pitching to potential investors, or MA Future Media focused on exploiting digital media and marketing opportunities through emerging technologies and advertising agency techniques.
Take a look at all the Film, Animation and Photography postgraduate courses available.
Entry Requirements
These entry requirements apply for entry in 2027/28.
All required qualifications/grades must have been achieved and evidenced at the earliest opportunity after accepting an offer to help confirm admission and allow for on-time enrolment. This can also include other requirements, like a fee status form and relevant documents. Applicants can track their application and outstanding information requests through their BCU mySRS account.
Essential requirements
112-72 UCAS Tariff points. Applicants will also need to submit a good portfolio.
The offer we make you takes into account the creative potential illustrated in your portfolio, along with your individual circumstances, predicted grades, achieved qualifications and potential to succeed at university.
If you are not studying a creative subject at Level 3, you can still apply for this course. Our portfolio guidance information includes alternative options for how you can show us your passion for the moving image.
GCSE and other level 2 requirements
This course does not require evidence of GCSE qualifications. Please see A Level, BTEC and other level 3 requirements below.
A Level, BTEC and other level 3 requirements
Qualification
Entry requirements
A Level / AS Level
A Level: 112-72 UCAS Tariff points / BBC-CDE (or equivalent)
AS Level: Must be in a different subject to A Levels
A maximum of four subjects will be considered
Pearson BTEC (Diploma / Extended Diploma/ Extended Certificate)
112-72 UCAS Tariff points
Diploma accepted with one A Level or equivalent level 3 qualifications
Extended Certificate accepted with two A Levels or equivalent level 3 qualifications
Typical offers vary according to individual circumstances and may be equivalent to a Merit or Pass overall grade
All subjects accepted but Digital Production, Design and Development; Craft and Design; and Media, Broadcast and Production preferred
Access to HE Diploma
Pass with 60 credits, 45 credits at level 3
Accepted subjects: Arts, Media and Publishing subjects preferred but other subjects also considered
OCR Cambridge Technical qualifications
NCFE CACHE Level 3 qualifications
WJEC Level 3 qualifications
Considered with two A Levels or equivalent level 3 qualification(s)
Irish Leaving Certificate (Highers)
112-72 UCAS Tariff points, achieved in five Higher level subjects
Scottish Higher / Advanced Higher
112-72 UCAS Tariff points, achieved from three Advanced Highers or two Advanced Highers plus two Highers
Welsh Baccalaureate
112-72 UCAS Tariff points. Considered with three A Levels or equivalent level 3 qualifications
UAL Level 3 Extended Diploma
Typical offers vary according to individual circumstances and may be equivalent to a Merit or Pass overall
Foundation Studies (Art and Design, and Art, Design and Media)
Typical offers vary according to individual circumstances
If you're applying with an International Baccalaureate Diploma or international qualifications, please see further information below.
Mature students
Applications from mature students (21+) with alternative qualifications and/or considerable work experience will be considered on their merits.
International qualifications
International Baccalaureate Diploma
Obtain 28-24 points overall
EU / International students
Please see your country page for further details on the equivalent qualifications we accept. In addition to the academic entry requirements listed above, international and EU students will also require IELTS 6.0 overall with no less than 5.5 in each band.
If you do not meet the required IELTS score, you may be eligible for one of our pre-sessional English courses. Please note that you must have a Secure English Language Test (SELT) to study on the pre-sessional English course. More information on pre-sessional English courses.
If you have a qualification that is not listed, please contact us.
Fees & How to Apply
Please select your student status to view fees and apply
UK Student
International Student
UK students
Annual and modular tuition fees shown are applicable to the first year of study. The University reserves the right to increase fees for subsequent years of study in line with increases in inflation (capped at 5%) or to reflect changes in Government funding policies or changes agreed by Parliament. View fees for continuing students.
Award: BA (Hons)
Starting: Sep 2027
Duration
£10,050 in 2027/28
Apply via UCAS
International students
£19,220 in 2027/28
Apply Online
Included in your course fees
Access to computer equipment
You will require use of a laptop, and most students do prefer to have their own. However, you can borrow a laptop from the university or use one of our shared computer rooms.
Printing
You will receive £5 print credit in each year of your course, available after enrolment.
Field trips
All essential field trips and associated travel costs will be included in your course fees.
Access to Microsoft Office 365
Every student at the University can download a free copy of Microsoft Office 365 to use whilst at university and for 18 months after graduation.
Key software
You will be able to download SPSS and Nvivo to your home computer to support with your studies and research.
Key subscriptions
Subscriptions to key journals and websites are available through our library.
Free Adobe Creative Cloud licence
Students studying on this course can request a free licence to install the entire suite of applications on up to two personal devices.
Not included in your course fees
Excess printing (optional)
Once you have spent your £5 credit, additional printing on campus costs from 5p per sheet.
Personal stationery and study materials (optional)
Based on the past experience of our students, you might find it helpful to set aside about £30 for each year of your studies for your personal stationery and study materials.
Personal equipment (optional)
Whilst not essential, it is advised you own a computer or laptop capable of running Adobe Creative Cloud.
Accommodation and living costs (optional)
The cost of accommodation and other living costs are not included within your course fees. More information on the cost of accommodation can be found in our accommodation pages.
Guidance for UK students
UK students applying for most undergraduate degree courses in the UK will need to apply through UCAS.
The Universities and Colleges Admissions Service (UCAS) is a UK organisation responsible for managing applications to university and college.
Applying through UCAS
Register with UCAS
Login to UCAS and complete your details
Select your course and write a personal statement
Get a reference
Pay your application fee and submit your application
Guidance for International students
There are three ways to apply:
1) Direct to the University
You will need to complete our International Application Form and Equal Opportunities Form, and submit them together with scan copies of your original academic transcripts and certificates.
2) Through a country representative
Our in-country representatives can help you make your application and apply for a visa. They can also offer advice on travel, living in the UK and studying abroad.
3) Through UCAS
If you are applying for an undergraduate degree or a Higher National Diploma (HND), you can apply through the UK’s Universities and Colleges Admissions Service (UCAS).
You can request a printed form from your school or nearest British Council office. You will be charged for applying through UCAS.
Birmingham City University’s UCAS code is B25 BCITY.
Personal statement
The personal statement gives you a crucial opportunity to say why you’re applying and why the institution should accept you.
Here are the three areas you’ll need to address:
Why do you want to study this course or subject?
Here’s where you explain what makes this course exciting to you. Think about your motivations for studying the course and your future plans. If you’re planning to take a year out, don't forget to give your reasons.
How have your qualifications and studies helped you to prepare for this course or subject?
This is your chance to show what you’ve learned at school or college. You should include the skills and knowledge you’ve gained from education or training and how this will help you succeed in your chosen course.
What else have you done to prepare outside of education, and why are these experiences useful?
Not everything you’ve learned comes from the classroom. Life experience counts too! You might want to talk about work experience, employment, or volunteering and how they’ve helped you develop the skills needed for your chosen course or future career.
Worried about Personal Statements?
If you've got no idea where to start or just want to check you're on the right track, we’ve got expert advice and real examples from our students to help you nail your personal statement. You can even download our ultimate personal statement guide for free.
Get personal statement advice
Financial Support
We offer further information on possible undergraduate financial support. This includes the type of loans, grants and scholarships available both from the government and from Birmingham City University.
View fees for continuing students
Employability
The BA (Hons) Filmmaking course has an excellent track record for graduate employment. The course opens avenues for students interested in a wide variety of roles associated with film and across the broader creative industries.
Where our students go
Our students have gone on to work on several productions including:
Black Mirror
Silent Witness
Father Brown
And in roles such as:
Camera Assistant (Sky)
Sound Trainee
Licensed Drone Operator
Director
We also have several students going freelance after they graduate forming their own production companies and working at big music festivals like Creamfields.
You can also gain employability skills through our Graduate+ programme, which will help enhance your employment options by helping with careers development, employability activities, volunteering and part-time work experience. This is furthered by the access you have to a range of support staff and services from the University’s Careers Service.
Placements
During your second year, you will have the opportunity to work as part of a mixed discipline team to respond to a brief, as part of an in-house placement element of the course.
Facilities & Staff
Film, Animation and Photography facilities
Take a look around the facilities available to you as a Film, Animation and Photography student at BCU.
See our Film, Animation and Photography facilities
Our staff
Dr Ben Young
Senior Lecturer and Course Director, BA Filmmaking
Ben is a practice-led filmmaking academic with ongoing output as a producer, writer, and director across fiction, creative documentary, hybrid, and experimental cinema, with a further professional background in theatre, brand content, and development producing. His long and short form works have premiered and been distributed across major film...
More about Ben
Rebecca Tullener
Senior Lecturer in Film
Rebecca has a commercial background in web, graphic design and video production, joining Birmingham City University back in 2003 to deliver on European funded projects supporting small businesses with screen-based technologies. The role involved strategizing and overseeing the development of websites and branded content. Rebecca went on to run a...
More about Rebecca
Michael Beddoes
Lecturer in Filmmaking
Michael is a producer and writer, with additional experience in directing, spanning both narrative fiction, documentary and commercial projects. He was an associate producer on 2016 BAFTA nominated feature film The Ghoul, Executive Producer on 2023 BAFTA Longlisted short film WanderLand and has produced narrative film projects that have amassed...
More about Michael
Matt Cusworth
Lecturer in Film
With eight years working in the industry, Matt’s television and film credits include Casualty, Dalziel and Pascoe, Cold Blood, Down To Earth, Footballers Wives, Doctors, Judge John Deed, The Libertine, The Shell Seekers, Sex Lives of The Potato Men and Grease Monkeys. Working initially as an assistant director and stand-by prop man for the BBC,...
More about Matt
Steven Chamberlain
Lecturer in Film and Animation
Steven Chamberlain is a lecturer in film and animation. Steven trained as a painter at Central Saint Martins and continued painting for a number of years before becoming a multimedia designer and artist, creating interactive audio visual, installations and projection events.
More about Steven
Clive Tonge
Film Production Lecturer
Clive Tonge is an award-winning filmmaker and educator with more than 20 years of experience making films and teaching filmmaking. Alongside his teaching, he remains an active practitioner with a number of projects currently in development, bringing ongoing industry experience directly into the classroom.
His first short film, Emily and the Baba...
More about Clive
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