Music Technology

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https://www.uwl.ac.uk/course/undergraduate/music-technology?start=1898&option=33

BA (Hons) Music Technology | University of West London

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Undergraduate

BA (Hons) Music Technology

Full-timeTop-up

September 2027

Fees per year†

£17,250 – International

£10,050 – UK

Duration

Location

Overview

Course details

Our students

Entry and fees

Facilities

Teaching staff

Related courses

How to apply

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Start date

This specialist music technology degree offers you the chance to apply music technology in creative ways using professional equipment and software. It is our flagship music technology course and is designed to give you the skills the music industry values most.

Built on over two decades of development, we provide a focus on studio work, improving your mixing, production and DAW use, but also offer specialisms in: mixing, composing, audio post-production sound for film, screen and gaming and live sound. You will explore a range of subjects in the early stages of the course, before refining your focus and developing expertise in your chosen areas in the final year.

You will learn with highly experienced tutors with professional production credits and real-world briefs from: Netflix, the FIFA World Cup, Nike, and SEGA.

Throughout your studies, you will have access to:

one of the largest studio complexes in Europe, including 18 professionally-designed live studios

live performance spaces, with practice and rehearsal rooms

fully staffed music resources and top of the range kit, mics and gear

the Townshend Studio featuring ultra-rare vintage synths

Mac music production labs to allow you to work around the clock and at your own pace.

The London College of Music (LCM) is collaborative, and we will encourage you to take advantage of opportunities for recording and working with musicians, producers, film and gaming students, as well as developing you as an artist or producer.

With an alumni list who have produced original sound and music and mixed for the likes of U2, Lady Gaga, Lana Del Ray, David Bowie and on projects such as Star Wars, The Crown, Skyfall, The Wolf of Wall Street, and more, the BA (Hons) Music Technology course gives you the opportunity to build a rewarding career for yourself with the skills the industry values the most.

Level-6 Top-up option

If you already have a relevant Level 5 qualification (such as a Higher National Diploma, NVQ Level 5, etc.), then why not top this up to a full honours degree with our Level 6 Top-up course. This course consists of a full year of studies covering the same modules as the third Year of the regular degree.

If you enrol on a top-up degree in September or October 2026, you will receive the Top-up Bursary, worth £2,000. The bursary is made up of:

£1,500 fee waiver

£500 paid on successful completion of your course.

There is no deadline, and all eligible students are automatically considered.

Why study this course?

1st modern** London university for Music - Complete University Guide 2027

Ranked top 50 in the UK and 2nd modern** London university - The Guardian University Guide 2027

2nd London university for overall student satisfaction - National Student Survey 2026*

Top 20 in the UK for teaching quality - The Times and Sunday Times Good University Guide 2027

Course partnership

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Select your desired study option, then pick a start date to

see relevant course information:

Study options:

We support flexible study by offering some of our courses part-time or via distance learning. To give you real world experience before you graduate, we also offer some courses with a placement or internship. All available options are listed here. Your choices may affect some details of your course, such as the duration and cost per year. Please re-check the details on this page if you change your selection.

Full-time

Duration: 3 years

Duration: 1 - 2 years

With Foundation Year

Duration: 4 years

Start date:

If your desired start date is not available,

try selecting a different study option.

Play the "Study BA (Hons) Music Technology at the University of West London" video

Watch the course video to find out more about our Music Technology degree.

What you'll study

On this music technology specialist course, you will acquire and develop the skills you need to work with contemporary sound and music, both pre-and post-production.

In addition, you will learn the theory and techniques that are essential for creating music and audio to a professional standard.

While the course will focus on music production, it will also give you the opportunity to apply your work in a broader context, and you will explore the fascinating areas of:

music production and mixing

live sound

game audio

audio post-production

surround mixing

experimental sound art.

We will also help you to hone your business survival skills – essential for any self-employed specialist.

Collaboration is an integral part of this course, and there will be scope to join forces with students from LCM and other Schools. You will be able to work with musicians performing in a range of styles, including EDM, pop, jazz and even classical.

Furthermore, you could expand your horizons by working with students in media, video and film, digital animation and games design. These opportunities will help enhance your CV before you have even graduated.

Please note, we regularly review our course content to offer relevant, impactful and career-shaping learning. Therefore, the following modules are indicative and subject to change.

Compulsory modules

Music Production

This module offers you the opportunity to develop as a creative user of professional DAW systems. Through the module you will gain fluency in the use of:

hardware and software

samplers

controllers

You will also grasp the essential concepts required for next level music production.

Audio Principles

This is a broad module introducing a variety of topics vital to the field of music technology. It also serves as a base for the more practical and technically orientated modules in the music technology degree courses at LCM/UWL. It is a key module designed to equip students with a grounding in the core knowledge and techniques germane to the disciplinary nature of the music technology courses.

The module aims to provide the student with a solid grounding in the theory, techniques and terminology associated with contemporary acoustic and digital recording practice, as well as ensuring a fundamental grasp of the basic physics of sound and sound propagation.

Portfolio Development

This module focuses on the development of your portfolio career. Increasingly, the successful modern freelancer requires a diverse range of skill sets in:

writing styles

technique

arrangement

production

the ability to expand your client base and income streams.

Workflow demands will be examined in a time managed ethos to allow best practice. The module also explores creative outlets, future facing opportunities and residual income streams to allow you to pursue a career as a music professional whilst developing your portfolio.

Popular Music Analysis

If you understand how other people’s music works, it will help you develop your own creative vision. Different music genres all have their own particular sonic signature and this module is where you learn how to identify and talk about the elements which have defined recorded music, from past to present allowing you to absorb the techniques and mix aesthetics to build them into your tracks.

Studio Recording

This module will help you develop the required skills needed to operate studio recording technology to a high standard. The module will further the listening skills covered in Recording Theory and will increase your sensitivity to different recording and musical contexts. It covers a comprehensive overview of contemporary studio technology and the recording process.

The module will also extend ear-training techniques and examine each component of studio technology in detail. In addition, it will address how the techniques of recording are coupled to the technology, providing each student with a backbone of knowledge designed to help the recording demands of the second year.

Live Sound Practice

This employability-focused module will provide students with an overview of the technology and techniques required in live-sound engineering. The module focuses on both practical and technical content, providing experience in practical engineering for the performance of live popular music. Learners will also be introduced to the fundamentals of specifying sound reinforcement systems for a range of applications.

Applied Studio Techniques

This module develops the creative engineering skills gained from the Recording Practice module and to then adds session-planning skills, production/mixing skills, modern recording techniques and remixing. Students will be encouraged to take responsibility for complete productions in a professional-standard recording studio.

Sounds, Grooves and Genres

This module looks at the construction and deconstruction of music. Progressive research and critical review of what makes up a record will allow greater perspective and understanding into the historical, technical, stylistic and cultural contexts surrounding music production and arrangement.

Production and Release Strategies

Traditionally, a business led approach has been a key skill for any freelance music professional. Increasingly music industry professionals are also required to develop an entrepreneurial mindset. As the boundaries of digital technologies and media converge, the need to understand how new concepts are generated and practically applied looks set to be one of the key tools for future creative-content practitioners. This module will focus on digital pioneers who displayed creative enterprise in the modern music industry, and will also break down and explain how best to utilise: music platforms, digital-design tools, social channels, historical context and revenue streams.

Research Methods for Music Technology

Academia is all about searching for something new and we use research to do it. Working in the creative arts is very similar, working to find that new sound or production technique, which will set us apart from other artists. In this module these two endeavours are brought together and we will show you how to use the power of research to fuel your creativity.

Sound and Music for Screen

The module puts the student in the role of a ‘Sound Designer’ and ‘Composer’, an increasingly important role in the life of the audio post-production and music freelancer. It serves as a springboard for you to proactively engage in this field. By the end of the module, you will have created a body of sound and music to picture work, which can serve as an industry-standard tool to promote your work with other filmmakers and content producers to work to near professional workflow standards and circumstances, reflective of current industry practice.

Optional modules

Live Sound Production

This module is focused on employability and provides you with a deep understanding of the processes involved in musical theatre and play production. The module will focus on the techniques and roles involved within the sound department, from the sound designer through to the sound operators. In addition to this there will also be contextualisation through an introductory study of theatre practice.

LCM Music Factory

LCM Music Factory embraces the network and community available within London College of Music and the University to provide real-life scenarios for the production of original music with a contemporary stylistic focus through collaboration. The fundamental aim of this module is to offer the student an opportunity to experience both the pressure and challenges of producing recorded artefacts to a specific musical brief. There is also a significant research aspect to the module, with assessment based upon both practical and theoretical knowledge in equal measures.

Major Project

In the final year of your degree course you will undertake a major project. This module is your chance to create your dream project with a high degree of independence.

You will be allocated a supervisor and then given the freedom to create a piece of work, which you feel really represents you as a music technology student.

You will be guided and supported, but this is your vision and your chance to show the world your achievements.

Creative Sound for Games

Gaming is a fast growing and lucrative area of the entertainment industry. By the end of the module you will have a solid appreciation of the power of audio for games, combined with the skills to develop audio assets and implement them in middleware. This in turn will form the basis of a show-reel which can be used for future promotion and collaboration within the gaming industry.

Live Event Production

Will focus on developing, and specialise on, live music mixing skills to an advanced level. The module provides a practice-based context for the application and acquisition of advanced mixing techniques for a variety of platforms and setting applications to allow the student to manage and troubleshoot technical issues and provide appropriate technical solutions; taking into account contemporary approaches to mixing, professional outputs/formats and also future facing audio consumption requirements.

Audio Post-Production

The module is both practical and theoretical and is designed to give students the opportunity to explore and develop creative techniques to produce sound design, ADR, foley and audio post for a range of post-production requirements.

Mixing for Screen and Broadcast

This module provides a practice-based context for the application, evolution and acquisition of advanced mixing techniques for a variety of platforms and format-setting applications. You will learn to manage and troubleshoot technical issues and provide appropriate technical solutions for the master mix.

Experimental Sound

In this module, you will have to design an experiment that generates an audio experience. You will have the freedom to explore and develop individual ideas and abilities in the context of sound, producing a portfolio that shows confident expression and creative risk-taking, but with technical accomplishment.

What our students say

2nd London university for student satisfaction - National Student Survey 26*

I picked this course because there were none like it in my country. The facilities here are mindblowing. I'd recommend this course to anyone wanting to study music tech.

Pauly Maskal, Music Technology graduate, London College of Music

Explore student work and alumni achievements

ARTSFEST Music Technology

Welcome to Music Technology. Explore a diverse and exciting range of outcomes from our students.

Alumni: Mátyás Tóth - BAFTA Award for Best Sound 2025

Mátyás Tóth, UWL graduate in Music Technology and Radio Broadcasting, won a BAFTA Award for Best Sound 2025, for his work on the score and sound design for the film Dune: Part Two.

After graduating, Mátyás started working in the film industry as an assistant sound engineer and boom operator. He worked on several Hungarian and international films and TV shows, including Dune: Part Two.

Besides on-site sound, in recent years, he has also participated in animated short films and projects as a sound designer, regularly collaborating with MOME students.

Find out more

Alumni: Edwyn Ochieno

BA (Hons) Music Technology graduate, Edwyn Ochieno, has created several shows for BBC Radio, including AfroSounds Show with DJ Edu, which was broadcast on BBC 1Xtra.

Other programmes created by Edwyn include:

Simi, Joeboy and Sheebah in Lagos

Sauti Sol

Mr Eazi, Afronation and Covid-19

Destination Africa.

Alumni: Harrison Lloyd

BA (Hons) Music Technology graduate Harrison Lloyd is a successful record producer, music engineer and beat maker known as HL8. In addition to refining his music abilities, studying at UWL also helped Harrison develop his business and marketing skills.

Artist streaming stats:

Streams: 158 m+

Shazams: 557K+

Video views: 5K+

Profile views: 239 m+

Alumni: George Pallister

BA (Hons) Music Technology alumni, George Pallister, has built a career as a music composer and sound designer with an extensive list of credits.

Since graduating, George has collaborated with industry giants in video games, film, and television, contributing to renowned projects and recognised brands such as Star Citizen, Squadron 42, Valorant, League of Legends: Arcane, Clash of Clans, BBC, ITV, Channel 4, DAZN, Steam Motion & Sound, and Mother London.

Visit George's website

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What our alumni say

Play the "Starting my career in Audio Engineering | University of West London | Alumni insights" video

Alfie began his time at the University of West London by studying on our BA (Hons) Music Technology course. After this, he went on to study our MSc in Digital Audio Engineering, which led to him taking a job at music technology company Neutone, based in Tokyo, Japan.

Entry requirements

Requirements:

International

112-128 UCAS points required

from level 3 qualifications

These can include:

A Levels at grade B, B and C, or above

BTEC Extended Diploma with Distinction, Merit, Merit

Access to HE Diploma

T Levels

You also need GCSE English and Maths (grade 9 - 4 / A* - C) or Level 2 equivalents.

Candidates without a level 3 Music Technology qualification are required to provide a portfolio.

Looking for BA (Hons) Music Technology with Foundation Year?

View Foundation Year course

Whether you are changing career or don't have the exact subjects and grades required for this course, you might want to choose this course with a foundation year. This will give you an extra year's study to prepare you for the standard degree programme, where you can go on to graduate with a full Honours degree. Follow the link to see full details of the course with foundation year.

Mature applicants (aged 21+): If you do not hold the qualifications listed but have relevant work experience, you are welcome to apply. Your application will be considered on an individual basis.

Level 5 (year 2) entry

To directly enter the second year of this course, you will need to show appropriate knowledge and experience. For example, you are an ideal candidate if you have 120 undergraduate credits at Level 4 or a CertHE in a related subject area.

Level 6 (year 3) entry

To directly enter the third year of this course, you need to show appropriate knowledge and experience. For example, you are an ideal candidate if you have 240 undergraduate credits (at Levels 4 and 5), a DipHE, foundation degree or HND in a related subject area.

6.0 IELTS or above

You need to meet our English language requirement – a minimum of IELTS 5.5 for each of the four individual components (Reading, Writing, Speaking and Listening). Visit our English language requirements page for information on other English language tests we accept.

You also need academic qualifications at the same level as UK applicants. In some countries where teaching is in English, we may accept local qualifications. Check for local equivalents.

We offer pre-sessional English language courses if you do not meet these requirements.

Find out more about our English Language courses.

Fees & funding

Funding:

per year†

Please note:

Fees for the 2027/28 academic year and onwards may be subject to Government regulation and change.

Tuition fees are charged for each year of your course. If your course runs over 2 academic years or more, you will need to pay the fee for each academic year at the start of that year, except if otherwise stated.

If no fee is shown above then the fees for this course are not available yet. Please check again later for updates.

Funding your studies

You may be eligible for a student loan to cover the cost of tuition fees or a maintenance loan. Additional funding is available to some types of students, such as those with dependents and disabled students.

We offer a range of generous bursaries and scholarships, including several specifically for music and acting students, to make sure your aspirations are your only limit.

Also, if you enrol on a top-up degree in September or October 2026, you will receive a Top-up Bursary, worth £2,000. There is no deadline, and all eligible students are automatically considered.

View full details, including conditions and eligibility.

International students - funding your studies

We offer scholarships for international students including International Ambassador Scholarships.

Further information about funding and financial support for international students is available from the UK Council for International Student Affairs.

Financial support for international students

Music facilities

Explore the range of excellent facilities on offer to our students within the London College of Music, from performance spaces to the brand new Townshend Studio.

At a glance

Our specialist music technology facilities include:

18 professionally designed studios

nine live rooms

10 large format analogue consoles with extensive outboard equipment

five professional-standard performance and recording spaces

five DiGiCo Live consoles

full Dante / Rednet integration across the entire site

64 channel location recording facilities

three Mac labs with 24 hour access

comprehensive range of microphones and backline

Steinway pianos throughout the school (37 in total)

links to multiple London venues for performances and recitals.

Paragon Annex Studios

Our newest facilities, the Paragon Annex Studios are useful for a wide range of tasks – from tracking live bands, to recording Foley, to mixing in Dolby Atmos.

Each studio comes with extensive outboard systems a variety of digital and analogue synths and an extensive mic stock, giving you the best tools to create your recordings.

All tracking rooms enjoy access to one of three shared live rooms of varying sizes, with a Steinway Baby Grand in the largest room, which is fully capable of accommodating a full band.

Watch video tours of all seven Paragon Annex Studios on our LCM YouTube page.

Vestry Hall

Studio 1: This studio represents a dedication to quality signal path and a combination of classic and contemporary recording capabilities.

Facilities include:

Custom Series-75 Neve console

Otari MTR-90 Mk2 24-track 2” analogue tape recorder

Pro Tools HDX with Apogee Symphony AD/DA and monitoring by ATC and Amphion.

Studio 2: Recently rebuilt, this studio is designed around a 17-channel 3D speaker array, capable of both Dolby Atmos and Auro 3D® monitoring.

Extensive outboard and synth/sampling hardware, plus a flexible speaker array, make this studio a collaborative and experimental audio powerhouse.

The studio is connected to Vestry Hall, a large orchestral recording space, and a separate, fully isolated, drum and amplified-instrument live room.

St Mary’s Road Basement Studios

These rooms feature either a Digidesign C24 control surface or an Audient ASP 8024 analogue recording console and are also equipped with Pro Tools HDX and Focusrite RedNet IO hardware for high-end AD/DA.

Each studio comes with its own Dynamic and Condenser Microphone kits of a professional standard, giving you the best tools to create your recordings.

All tracking rooms enjoy access to live rooms of varying sizes and many feature multiple isolated booths which feature acoustic pianos by Steinway.

Music technology facilities

Explore one of the largest studio complexes in Europe and learn more about our fantastic range of music technology facilities at the London College of Music.

The Townshend Studio

The Townshend Studio is a creative space for learning, collaboration, experimentation and play. It is home to a collection of instruments used by Pete Townshend, co-founder of The Who and Ealing School of Art (now UWL) alumnus, who described his time at the School as “a revelation”.

The collection comprises 12 principal synthesisers, plus many other instruments which have been used by Pete throughout his career.

Your future career

Once you graduate with a Music Technology degree, you could find work in a range of job roles within the sector, from a record producer to a live engineer.

You may also choose to advance your studies, please see our postgraduate courses.

One-to-one, life-long careers support

Taught by lecturers with industry experience

Career-focused modules

On campus, specialist careers fairs

Alumni networking events

Support with CV and interview skills

Build your portfolio

Industry connections

Job roles

record producer

sound for games

audio/live engineer

A&R manager

audio visual technician

digital media operator

event technical lead

music composer

podcast producer.

Rhiannon Mair - producer, songwriter, sound engineer and Executive Director of the Music Producers Guild. Nominated for breakthrough producer of the year at the 2019 MPG Awards.

Ben Baptie - Producer and mix engineer. Has worked with: U2, Lady Gaga, The Strokes, Moses Sumney, Jamie T, London Grammar, Tom Odell. Nominated for producer of the year at the 2019 MPG Awards.

Robert Orton - mix engineer. Has worked with: Sting, Lady Gaga, Charli XCX, Mumford and Sons, Lana Del Ray, Bruce Springsteen, Enrique Iglesias, Robin Thicke. Has won three Grammys with Lady Gaga.

John Webber - mastering engineer at Air Studios. Has worked with: David Bowie, Nina Simone, Ray Charles, Miles Davis, MF DOOM, Primal Scream. Worked on the scores for Marvel's Loki, Alien: Covenant, Doctor Who, and the Oscar-nominated Loving Vincent.

Tom Williams - TV and film sound mixer and ADR recordist. Has worked on: Star Wars Rogue One, Star Wars Episode VII: The Force Awakens, Spectre, and more, and has worked with artists like Amy Winehouse, The XX, Laura Marling, and George Clinton. AMPS TV Award winner and BAFTA Television Craft Award winner on Killing Eve. BAFTA-nominated for The Crown.

Tim Siddall - film sound editor, mixer, and dialogue editor. Has worked on: The Gentlemen, Hitman's Wife's Bodyguard, Aladdin, Tomb Raider, The Wolf of Wall Street, Jack Ryan: Shadow Recruit, and Skyfall.

Thomas Blazukas - Motion picture sound designer and re-recording mixer. Has worked on: House of Gucci, Ron's Gone Wrong, Belfast, Artemis Fowl, Four Kids and IT, and Last Christmas.

Josh Adam Bell - sound design: games. Has worked on: Star Citizen.

Gareth Johnson - studio owner/producer, Stand Alone Productions.

Daniel Kapuscinski - movie sound designer and dubbing supervisor. Has worked on: Pearl of Indie, Blood Society, Barun Rai and the House on the Cliff.

Dominic Butler - music producer. Has worked with: The Stanton Warriors.

Ryan Wilkins - CEO of Raw London. Has worked with: Florence and the Machine, Lily Allen, Beverly Knight, Babyshambles, Keane, Katy Perry, The Drums, Hot Chip, Sigur Rós and The Kooks. Has also worked with companies such as Twitter, Vodafone, Save the Children and Marie Curie.

Oliver Kadel - founder and head of audio at 1.618 Digital. Clients include: Ford, HSBC, Google, PWC, FIFA, JC Decaux, O2 Academy. Has two Emmy nominations for Micro Monsters with David Attenborough.

Steve Massey - audio engineer, composer and owner of Freezabox Records. Has worked with Robbie Williams, Primal Scream, Beady Eye and Jarvis Cocker. Clients include the BBC.

Laura Beck - sound engineer at British Grove Studios. Has worked with Robbie Williams, Anne Dudley, and Paloma Faith. Grammy-nominated for The Prince of Egypt.

Sam Sutton Course Leader

I am a Senior Lecturer in Music Technology, specialising in sound design and production for media. I compose for advertisements, computer games and film, and bring this experience into my teaching practice at the London College of Music.

View more

View full profile

Dr Rotem Haguel

Neil Herd

Dr Daniel Pratt

Greg Smith

Show more

How to apply:

Play the "How to apply for university | The University of West London" video

Head to the UCAS website where you can apply using:

our institution code - W05

the UCAS course code (below)

Want to ask us a question first? We would love to hear from you. Contact us free on:

courses@uwl.ac.uk

We may invite you to an interview at the university and ask you to submit a portfolio of work. Find out more about music technology portfolios and the interview process and the interview process.

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You can apply to us in two ways:

on the UCAS website – you will need our institution code (W05) and the UCAS course code (at the top of this page)

directly on our website – follow the ‘apply now’ link below

Want to ask us a question first? Our dedicated international students’ team would love to hear from you.

Contact the team: international@uwl.ac.uk

We may ask you to submit a portfolio of work and invite you to an interview at the university - or online, if you aren't able to travel here. Find out more about music technology portfolios and the interview process.

More information about international student applications

Apply now

Music technology and audio production

Develop the theoretical knowledge, technical skills and creative abilities you need for a career in music technology, sound engineering or audio production.

Music technology and audio production courses

BMus (Hons) Music Performance

BA (Hons) Music Management

BSc (Hons) Sound Engineering

BA (Hons) Recording, Mixing and Production

BA (Hons) Electronic Music Production

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Important notes for applicants

Disclaimer

†Fees - the published fee is an annual fee, payable each year, for the duration of the course. Fees are subject to change. Home tuition fees may be subject to annual increases but will not increase by more than the fee caps as prescribed by the Office for Students or such other replacing body. Full-time taught international fees are subject to an annual increase.

Teaching - your course will primarily be delivered in-person, however it may include delivery of some activities online, either in real-time or recorded.

Testimonials - quotes are provided by current or former UWL students. These are mostly from the course but quotes from a UWL student on another course may be used if, for example, the course is new.

Optional modules - where optional modules are offered they will run subject to staff availability and viable student numbers opting to take the module.

Videos - all videos on our course pages were accurate at the time of filming, however staff and course content may have since changed.

Availability of placements - if you choose a course with placement/internship route and a placement/internship opportunity does not arise when you are expected to undertake the placement then the University will automatically transfer you to the non-internship route, to ensure you are still successful in being awarded a degree.

Rankings

*The National Student Survey 2026 result is based on the average of all answers by the taught student populations.

**Modern universities - defined as higher education institutions that were granted university status in, and after, 1992.

***PRES - rank out of 53 institutions.

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